Barry Barclay

Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.

Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open.

Conversations with four people — an artist, a woman struggling with her identity as a high achiever, an actor, and a priest — exploring their inner worlds, their self-image and how they feel they fit into society. Are all of them acting, or only Sam Neill? The film features readings from Ash Wednesday, the poem written by TS Eliot after converting to anglicanism.

A documentary about the threat posed to New Zealand's Kaipara Harbour by rapacious commercial fishing and development.

Indigenous farmers in Peru, Nicaragua, Italy, France, Australia and New Zealand share their intimacy with the land and the seeds they have nurtured for generations; global corporations attempt to 'own' the intellectual property of seeds.

A hundred years after the theft from New Zealand of three irreplaceable tribal carvings, two members of a Māori tribe decide it's time for ancient grievances to be put right. Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to his acclaimed debut feature Ngāti.

In a Maori settlement, Ngati Toa leader Te Rauparaha composes the famous chant "Ka Mate", also known as the haka, after evading enemy capture by hiding in a kumara pit.

Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.

The traditional materials and methods used in Māori weaving. Rangimarie Hetet and her daughter, Rangituatahi Te Kanawa, of Ngāti Maniapoto, talk to Tilly Reedy and demonstrate their skills as they gather and prepare harakeke for work on piupiu korowai and tāniko border. Other women are instructed in the weaver's craft. Rangimarie and Rangituatahi discuss the innovations and changes which have influenced their art.

Actor Martyn Sanderson returns in 1977 to the Hokianga of his youth and visits his elderly and romantic aunt, Olive Bracey. Her reminiscences of pioneer life mesh with nostalgic songs and readings from her fiction.

This remarkable film traces the final impact which both races had on the indigenous Moriori of the Chatham Islands. Moriori were a peaceful people who vowed never to take up arms against another human being. They were capable of defeating the invaders, but chose not to. Drawing inspiration from Michael King's seminal book Moriori, The Feathers of Peace brings the truth about what happened on the Chathams to an even wider audience. To do that, the film uses modern television news techniques and dramatized documentary.