Peter Pan

Yang Guo, a girl who lives with her aunt's house, is in a dilemma after witnessing an accident by her friend. In the summer when she was constantly struggling to escape from the small city, the girl gradually gained the vague consciousness of a woman, learned to face life, face herself, and grow up.

On Chinese New Year Eve, ten-year old Yang Lan anxiously waiting for her singer mother to come home. While the big family is celebrating loudly with Mahjong, fireworks, dinner and laughs, she struggles to reconcile her urge to feel, at least for a brief moment, loved.

Ching’s mother asks Ching to take her grandmother in until she is sent to a nursing home and that makes her ponder over her relationship with her mother. Three generations of women, each has their own share of pain.

A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.

A missed love with three pairs of men and women.