Acting
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
Der Staatsanwalt hat das Wort was an East German television series.
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The movie begins by showing how Schneller takes up the profession of a teacher out of love for the children. When the First World War begins, he becomes a 'volunteer officer' and slowly the political situation begins to shape him. He develops into a revolutionary fighter.
Large-scale, five-part film about the relationship between two men caught between friendship, rivalry and hatred during the first decades of GDR in the countryside.
The film concentrates on the last days of the German navy during World War II.
Berlin in the 1930s - Adolf Hitler comes to power, communists and social democrats are persecuted, books are burned and Jewish citizens are ostracized. The outwardly shiny façade of Berlin, the capital of the Reich, reveals nothing of the unequal struggle of young people against the increasing oppression...
In 1945, Ernst Machner returns home from the war in his mid-20s. Tuche would like him to weave for a living, but his comrades persuade him to become a young teacher instead.
Private detective Fritsch from Munich had received a lucrative assignment: he was to obtain proof of inheritance for a Mr. Seligmann from Canada; this would bring the client a sum of five million dollars. He is therefore looking for an old document that was hidden in a valuable painting that disappeared decades ago. The starting point is a trail that leads to a town in Poland. The painting in question is said to have disappeared there in the final years of the Second World War. But the object of desire cannot be found here, and a new clue points to a grave in Frankenthal in the German state of Rhineland-Palatinate. Fretsch then found out that the painting must probably be in the villa of a personality with significant influence in the economy and politics of West Germany. Fretsch manages to get in touch with the wife of the presumed new owner of the painting and to find out the secret of his rise to multimillionaire status. But the people concerned use their resources to counterattack.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...
During the Thirty Years' War, the camp-follower Anna Fierling, called "Mother Courage", travels the length and breadth of Europe with her covered wagon. She does not care if it's Catholics or Protestants she trades with as long as business thrives. She loses her three children as a result of the war: bold and spirited Eilif, sincere and upright Swiss Cheese and mute Katrin, who saves the children of Halle by beating a drum on a farmstead roof In wartime, the Fierling children's virtues prove to be deadly. Yet, Mother Courage, remains incorrigible. She will not have anyone "spoil the war" for her and so sets out once more after the soldiers with her wagon.
This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.
This elaborate two-part television film features a section from the life of communist worker leader Ernst Thälmann. It begins with the bloody riots on May 1, 1929 in Berlin, in which police officers shot at demonstrating workers, and ends with February 7, 1933, when Thälmann appeared as a speaker at the illegal meeting of the Central Committee of the Communist Party of Germany in goat neck. This period was marked by the struggle of the Communists against the ever stronger National Socialists and the rise of Adolf Hitler.
Frieda and August Walkowiak celebrate their 30th wedding anniversary. However, the marriage has been in crisis for some time. August wants to spend his old age in peace, while Frieda has no intention of giving up her position as LPG chairman. The problems in the countryside are huge, collectivization is not progressing fast enough, even comrade Heinrich Rantsch is clinging to his individual farm. Frieda fights for progress, even in her private life, because not only her burden but also her higher position is a thorn in her husband's side. During the wedding anniversary celebrations, Frieda is called to the LPG. This is the cause of the family quarrel that has been in the air for a long time. August demands her resignation. In vain - and so he moves in with Rantsch. Their daughter Helga also leaves the house because of the tensions. Frieda collapses. When she is in hospital, August comes to his senses.
Victory and demise of the first proletarian dictatorship in the history of mankind, about the struggling, bleeding workers of Paris who enthusiastically defend their historical initiative. The little Cabet family from Rue Pigalle and their friends let the spectator participate in the action.
In the 22nd Century, antiquities command huge prices. A woman uses a time machine to travel back the the 19th Century in order to buy paintings from Vincent Van Gogh before he was famous. Will she be wealthy upon her return?
Paul Pospischiel loses his job in the great colliery collapse in the Ruhr, retrains and builds a new life for himself. One day, he receives a letter from his mother, which tears him from his comfort zone and triggers a serious conflict. She has discovered the man who sent his father to a concentration camp decades ago and is therefore responsible for his death. The mother demands accountability from this man. Paul decides to confront the suspected informer and murderer...
A little man wants to order a warm coat from a fabric he has brought with him to a tailor's workshop in winter. He is laughed at and told that orders for this type of garment are only accepted in the summer - after all, they work to a schedule. When the customer continues to insist on his request, he is declared insane by the employees of the atelier - they are not a capitalist company after all. This infuriates him so much that a neurologist, the fire department and an ambulance are called. The doctor clarifies the situation and advises the first tailor to have a word with his assistant. "I'm normal," he claims. "I believe it," replies the doctor, "but will the others believe it...?"
A refugee from a Nazi concentration camp is discovered by some boys in WWII Berlin. They provide him with food and help him to continue his flight. Later one of the boys, the son of a communist, is charged with theft, arrested and sent to a concentration camp.
The young Walter Retzlow, drafted into the guard team of a foreign labor factory in the last year of the war, receives the papers of a murdered anti-fascist by chance. He adopts the new identity, which promises him security.
