Alberto Velasco

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Set up to take the blame for corporate fraud, young Macarena Ferreiro is locked up in a high-security women's prison surrounded by tough, ruthless criminals in this tense, provocative Spanish thriller.

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Four women will have to deal with the problems of their daily lives, while trying to hide a dark secret that will make their whole world reel.

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Inès is living the American dream in Miami. She's in a relationship with Becky and is a successful illustrator for a major publishing house. However, her happiness is shattered when she is caught cheating on her girlfriend. She decides to return to her loved ones in Spain.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Lucía is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara, the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.

Carlota has an open war with the caretaker of her community, Candela, whom she considers a person at risk. Carlota did not always know that HIV does not understand social status, gender or sexual orientation, she had to learn it by having it closer than she could ever have imagined.

The most painful loss of Victoria will be the thread of her revenge in an action short that puts violence between men and women on the table from a prism totally opposite to reality. Is the crime a revenge or a victory?

A group of actors in Madrid are cast in a theatre show conceived as a dance marathon and as an unscripted competition. ‘Malditos’ follows their drifting between success, failure, fame and self-realization, interweaving non-fiction interventions and staged representations, constantly blurring the boundaries between fiction and reality.

Castilla. 1995. Victor is ten years old and loves popular folklore. You know what it means that what you like best in the world (dancing) is what hurts you the most. His mother works tirelessly and also cares day and night for a stepfather who is bedridden but with a very lively, sharp and hurtful tongue every time Victor appears through the door. When Victor dances, he transforms, laughs, dreams, escapes from the reality he has at home. What he could never imagine is that the same violence he received would be his own salvation.