Shima Ise

Shūichirō Kiriyama works at the Limitation Task Force, the place where the cases which have reached the statute of limitations are destroyed. Getting bored of his job, he decides to find a hobby, because it seems important to him to have a hobby. So he decides to puzzle out the unsolved cases on his free time, helped by his coworker Mikazuki, who seems to have a crush on him.

Aoi Midori is a pharmacist and in the 8-year span of her career, she has worked according to her strong belief that "One must know the patient well in order to prescribe the correct medication as medicine is the bond that connects the patient's today to his/her daily life henceforth". Due to that, Aoi usually takes a long time in her consultations with the patients, and this causes her to be complained by her colleagues for being too inefficient in her work. Aoi shrugs off the complaints as her goal is to help the patients regain the daily life that they once took for granted.

Rakugo has the image of a humorous story, but it is also a treasure trove of “scary stories”. Among them, this work boldly arranges a performance in which "human fear" stands out, and does it in an omnibus format. There are four rakugo plays that will be drawn as a drama this time: "Kokoro", "Tatsumi's Tsuji Zou", "Konya Takao", and "Miyatogawa (upper / lower)".

Satoru Matsudo moves to Tokyo in hopes of becoming an actor. He has trouble breaking into the industry, but his luck begins to change when he finds an airplane ticket belonging to a talent agency CEO. Time passes, and Satoru makes a name for himself as an actor. He gets a call from America. Hoping it is a Hollywood offer, he instead hears about his estranged older brother.

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It follows a group of people who are still living in temporary housing 12 years after a natural disaster called "Nani" destroyed their town.

A brilliant chocolatier who's afraid of making eye contact meets an heir who can't touch others — but somehow, they're immune to each other.

23 years old may be the age in life where there are the most diverse people. Some are new to society, some are already used to being a member of society, and some already have children. Although everyone is the same age, there are so many different kinds of people with diverse stories. This is a story that wants to convey the life of 23 year old's with their raw emotions and individuality.

There is “another Japan,” which is divided into three countries and has been in ethnic conflict for 100 years. In the middle of the conflict, a young girl (Ikuta Erika) was kidnapped and confined by a group calling itself “National Liberation Army.” However, the girl has escaped from them to the outside world for the first time in 10 years. She befriends a girl whose father runs a business recycling artificial soldiers made from soybeans. They meet the group of boys including Harikona (Ryunosuke Kamiki) who has the ability to make flowers bloom. Keeping watch over Kegare is her adult self, Misa. This empathetic play transcends time and space. As past, present, and future get jumbled up, Kegare finally confronts an unpleasant memory that she should have forgotten. (Source: @floren646730)

Haru Komatsubara, a quiet prisoner, working as a hairdresser in a unique prison beauty salon, reflects on guilt, redemption, and second chances as her sentence nears its end.

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28 year old freelance writer Sakura Asuka wakes up tied in a white room. The white room is a protected room located in an isolated ward of a psychiatric hospital. Sakura first became unconscious because of heavy alcohol use and a druge overdose. She’s confined in the single room because of her high risk of committing suicide. Sakura tried to talk to the nurses and doctors but they didn’t listen to her. Under the circumstances another patient Miki, who suffers from an eating disorder, leads her to understand the unknown world. But, Sakura is looking for the way to get back to the real world as soon as possible.

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A humorous wedding story fueled by a rather no-good father and son, disguised as the old and new “good guys.” The father Nobuo, and his son Tamio, are unable to mature, unable to break the parent-child roles, have no sense of responsibility, and keep holding on to the past. The pair is overwhelmed by all the colorful characters around them telling them what to do. They go to strenuous and humorous efforts to make Tamio’s wedding an event to remember.

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