Julien Verdier

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.

Paris, 1925. Bénédict Masson, bookbinder and poet, is secretly in love with his neighbor, Christine. Christine works at the strange Coulteray mansion where the marquise accuses her husband of being a vampire. But Bénédict has other preoccupations: six of his apprentices have disappeared without a trace.

Raphaël, a former paratrooper, is unable to adapt to the constraints of social life. One day, he becomes the unwilling accomplice of jewel thieves and falls in love with Electre, the mistress of Alaphène, their boss. Electre gives herself to Raphäel and incites him to run away with her. The couple tries to reach Monte-Carlo, where the diamonds are hidden, but they are chased by Federico, one of the gangsters who craves the loot as well...

1957. For several months, Henri Charlègue, the ex-director of the newspaper "Alger democratic", banned, has been living in hiding. Suspected of belonging to the FLN, he is actively sought by paratroopers.

In June 1940, during the Dunkirk evacuation of Allied troops to England, French sergeant Julien Maillat and his men debate whether to evacuate to Britain or stay and fight the German troops that are closing-in from all directions.

A Dutch slave captain, on a voyage to Cuba, faces a revolt fomented by a newly captured African slave, Tamango. The slaves capture the captain's mistress, forcing a showdown.

This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion. 

Pierrette, an active labor activist, marries Mario. He had little sympathy for his wife's political activities. Nevertheless, he takes part in a strikers' demonstration she leads, where he is bludgeoned to death by the CRS.

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.

In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.

While celebrating his birthday, police inspector Basquier recalls two of his most celebrated cases. The first involves duplicitous moneylender Olga. The second concerns the brutal broad daylight murder of innocent young Yvonne.

In 1822, Toussaint Rouveyre, a former captain in Napoleon's army, returned to his village in the Ardèche after the defeat at Waterloo and a seven-year stay in America. There, he reunited with his family, persecuted by the Restoration regime. In order for his father to give him his share of the inheritance in advance of his permanent move to America, he needs the consent of his younger brother Antoine, a carpenter who is on the Compagnons' Tour de France. When Toussaint learns that his brother, a member of the Compagnons du Devoir (Devoirants) association, has been killed by a companion from the rival association, the Compagnons du Devoir de Liberté (Gavots), he is determined to find the murderer, a certain Tourangeau Sans-Quartier, and avenge his brother. To find this man, he joins the Compagnons du Devoir de Liberté incognito.

The detectives of the Paris Judicial Police, based at the Quai des Orfèvres, are mobilized by four criminal cases. A double murder, perpetrated in a hotel on the Place de Clichy, intrigues the investigators. The owner and a little maid were murdered in cold blood.

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

On Christmas night, an ex-convict meets a beautiful, married Italian woman who has a lot of things to hide.

Bourgeois melodrama about the family of a wealthy businessman in La Rochelle, who dismisses the marriage of his only daughter with a journalist.

Convicted of murdering his wife, a crime of which he declares himself innocent, Jacques Mazur is serving a long sentence in a prison where his presence causes disruption.