Teresa Parodi

A documentary of absurdist humor that delves into the immaturity of Witold Gombrowicz, the controversial Polish writer who lived in Argentina and wrote the first existentialist novel.

Daniela Toro travels to Salta to meet her father, revisiting moments from his career: songs, memories, events, the dark years of censorship, and the throat surgeries that gradually silenced his voice. Daniela interviews performers and senses that her father's voice lives on in the memories of singers across the country, from different genres, and a loyal—and anonymous—audience that admires him from around the world. This documentary film offers us only a glimpse into Toro's immense body of work during his short life on stage, bringing us closer to this living legend.

Abel Pintos explores the legacy and great influence of Mercedes Sosa, the woman who revolutionized Argentine folklore. Thus, through interviews with musicians and intellectuals who supported her at the beginning of her career, with her grandchildren who knew her most intimate side, and with artists such as Fito Páez and Charly García, Abel reconstructs and honors the Mercedes figure.

People from rural zone comes to Buenos Aires with the intention to improve it economic situation and end up in a shantytown and find an escape of this situation by goint to dance (Bailanta).

A journey through the life and work of artist Ricardo Carpani, his artistic and ideological formation, and the importance of his pictorial output, considered a symbol of the political struggle of the 1950s, 1960s, and 1970s. Once the rise of state terrorism began, Carpani was forced into exile and spent ten years in Europe. During this period, he continued his political commitment, creating works that denounce the horrors experienced in Argentina during those years.

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León Gieco, a leading figure in Argentine popular music, turns 70.

In the last decade, Argentina has become a country of origin, transit and destination for human trafficking. There are the pimps and corrupt state officials who make human trafficking a great business. On the other side, there are the victims. But going through all this framework are the clients, always safe from any condemnation. The gaze of Whole Woman rests on them, the men.

A group of musicians discovers in an old LP record a musical work from more than 40 years ago, which tells the story of a Riojan caudillo. They decide to remake this album and begin to summon musicians and interpreters to renovate the original versions.