Ewan Jones Morris

In 2013, Daniel Kitson wrote a play for two people (himself and (the mighty) Tim Key) to perform for a week or two at the (also mighty) Royal Exchange Theatre in Manchester. In 2015 that play was restaged at the (again, mighty) Old Vic in London for something like 28 performances, in total. This is one of those performances, in real time, start to finish.

In 2010, or maybe 2011, it’s hard to be certain about these things, I wrote and performed a show called It’s Always Right Now, Until It’s Later. I originally performed it in the Edinburgh Fringe Festival at the Traverse Theatre every morning at 10.30 before restaging it at St Anns Warehouse in New York, The National Theatre in London and The Royal Exchange in Manchester. This film was made on one single night towards the end of the Manchester run and is the entire show, in real time.

Centred around John, a man in his 70s living on a remote farmhouse, This Far Up is a surrealist exploration of life, death and what lies in between.

Located in an uncertain yet near future, ECHT depicts a scenario in which British institutions and ruling systems have collapsed and the current regime is characterised by a fast-track feudalism. In it, status is based on conspicuous consumption and hoarders are kings, having set up their new courts in former dance halls and clubs. ECHT has been shortlisted for the 2015 Jarman Award.