Raquel Pérez

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

When her husband falls into a coma, Nines, a traditional housewife, transforms the family business into the first adult video store in Valladolid.

A caustic satire of many of the 'types' found in Spanish society.

A diverse group of tourists on an organized trip to Lisbon find themselves investigating a murder after one of them is killed on the first morning.

Set in early 18th-century Madrid, the plot follows the love story between an agoraphobic cook and a widowed nobleman.

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Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.

Fan girl finds herself torn between the attraction for her film idol and her best male friend.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

Marisol is the national rhythmic gymnastics coach, methodical, demanding and authoritative. The World Championship is approaching and she places all her gold medal hopes on Angelica, the team's most promising newcomer. Two weeks before the final, Marisol discovers that her husband is having an affair with a much younger woman with whom she is expecting a child. Marisol does not contemplate failure, so she embarks on a desperate race to win him back, without taking into account her motives and feelings. Her pain is transferred to her tatami, where she becomes even more implacable towards Angelica, in whom she places her hopes of success. At this point, winning gold is all that's left for him.

Men and women deal with different stages of love. Desire, jealousy, longing and melancholy are part of the romantic story of each of the characters, including a teacher, a middle-aged couple and a jealous boyfriend.

Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a feud involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel's uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.

Julia is saying goodbye to the last visitors who have come to the house after the sudden death of her husband. When it seems that finally has a moment of intimacy, Susan knocks on the door. Despite Julia's refusal to let her pass, Susana rebukes her, arguing that she has the right to say goodbye to her husband.

Max [Jesús Caba] wakes up without realising that the day before the clocks went back. A chain of events take place over the course of the day as a result of him leaving the house one hour late.

Two hours with a stranger. A bittersweet love story. A daily reality that feeds on censored fantasies. Lack of communication. A pact. And finally a flower, the lie that always join them.