Acting
An uptight military school gets a dose of hippie-infused rebellion when a group of students gather in support of the 1960s uprising going on around them. When a few students decide to bring the more liberal, artsy side of the revolution onto campus, they face opposition from much of the school's staff.
The Cosby Kids are rehearsing for a Christmas pageant at their junkyard clubhouse, which Tyrone, the mean old junkyard owner, is fixin' to tear down. That's when Marshall & his parents show up. With their car broken down, Marshall's mom is about to have a baby and his dad, without health insurance, inspires the gang to invite them in the clubhouse for shelter. Tyrone agrees to let them stay until the baby is born, in exchange for Fat Albert working for him as a sidewalk Santa. "Ho-ho-ho's" in Fat Albert fashion ensue. After the old hobo, Mudfoot, gives Tyrone a lecture about how he's been grumpy at the world ever since his wife died, the junkyard owner has a change of heart and promises to keep the gang's clubhouse in tact.
The plot: Roy is jealous of Sigi, who attracts Nancy's attention, and has two clumsy guys demolish Sigi's father's T-Burn classic. For the repair of the car, Sigi desperately needs $250 until his father returns next weekend. He and his friends try to earn it on the swap meet.
A lad finds himself magically sent back to ancient Egypt where he and the young King Tut team up to stop their evil and overly ambitious elders.
A down-on his-luck baseball pitcher finds a new set of rewards coaching a gang of underprivileged youngsters and romancing a career-oriented playground supervisor who, against her better judgment, put the kids in his charge.
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The main plot of this rampant collection of scenes from the streets of the lower East Side of New York revolves around Frank and Anna Maurrant and their daughter Rose. A violent and tough character, Frank fails to see his wife’s growing despair due to his lack of affection. When he discovers her with her lover, he shots them both and goes to jail, leaving behind a heartbroken Rose who, after having experienced relentless harassment by two aggressive suitors, misses her one true chance at love. The opera ends by showing the streets of New York City moving on from these mundane events in total indifference.
