Jon Rollason

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Studio 4 is an anthology drama series utilising BBC Television Centre's Studio Four, and running for two series in 1962 on BBC One. It was envisaged as a sequel to Storyboard, a similar anthology series which had been transmitted the previous year.

Thirteen Against Fate is a series of thirteen hour-long episodes based on the novels of Georges Simenon. Noted for the sound psychology of his characters, Simenon's stories deal with many nationalities and are set in numerous European cities and villages. There are sequences filmed in these locations integrated into the episodes. In each of the novels chosen for this series, Fate plays a leading role in the development of the story and the characters.

A spin-off/rebranding of the previous 1965 series The Mask of Janus, The Spies is a more conventional espionage thriller than its predecessor, being explicitly concerned with the actual operations of British secret service agents stationed in the fictional European country of Amalia.

The TARDIS narrowly avoids becoming engulfed in a cobwebby substance in space. It arrives in the London Underground railway system, the tunnels of which are being overrun by the web and by the Great Intelligence's robot Yeti. The time travellers learn this crisis was precipitated when Professor Travers, whom they first met in the Himalayas some thirty years earlier, accidentally caused one of the Yeti to be reactivated, opening the way for the Intelligence to invade again.

The Countess lives in her East European palace, oblivious to the new regime that has moved in. After the war Volubin, a Marxist writer, is instructed to obtain from her the keys to her wine-cellar, which are needed for a celebration dinner. First shown in 1970, this play charts the transition of dictatorial power in the 20th century.

Seminal piece of documentary filmmaking by New Wave director Karel Reisz following the daily activities of members of the Lambeth Youth club in late-1950s London.

Part of BFI collection "They Stand Ready."