
Molly Manning Walker
Camera
Biography
Molly Manning Walker (born 14 September 1993) is a British film director, writer, and cinematographer. Her debut feature film, How to Have Sex (2023), won the Un Certain Regard Award at the 2023 Cannes Film Festival and the European Discovery – Prix FIPRESCI at the 36th European Film Awards. In 2024, she earned two nominations at the 77th British Academy Film Awards for How to Have Sex, including Outstanding British Film and Outstanding Debut by a British Writer, Director or Producer. Description above from the Wikipedia article Molly Manning Walker, licensed under CC-BY-SA, a full list of contributors on Wikipedia.
Known For

Three British teenage girls go on a rites-of-passage holiday—drinking, clubbing and hooking up, in what should be the best summer of their lives.
How to Have Sex

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Marcians

A rising pop sensation navigates fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success.
The Moment

Sasha, a 25-year-old wannabe singer and rapper thrown out of home, but right now she’s a bedroom artist spending her days smoking weed, stalking her ex-boyfriend on social media and avoiding her family.
Mood

A series of stand-alone horror shorts ranging from the terrifying to the ridiculous.
Bite Size Halloween

A resourceful 12-year-old, who secretly lives alone in her flat in a working-class suburb of London, makes money stealing bikes with her best friend Ali and keeps the social workers off her back by pretending to live with an uncle. But when her estranged father turns up out of the blue, she's forced to confront reality.
Scrapper
A love letter to football and a funny and wild exploration of young people in London today, tackling topics from friendship to gender politics.
Major Players

A woman and her angry mother travel together to the execution of a man they never met.
November 1st

Set on a night out, UK rock band Wolf Alice decided to bring the music of their album Blue Weekend to life with this film.
Blue Weekend

In the aftermath of an attack, Amy is left voiceless, trapped in a whirlwind of incompetence. She must find a way to confront what has happened, in order to save what matters to her most.
Good Thanks, You?

Tam gets on the first tube home, plugs himself into his phone and begins reliving his night out via social media stories.
Pompeii

Returning to the London council house he grew up in after a non-acrimonious divorce, Emeka's caught between worlds - left wondering how to belong.
Acrimonious

The pandemic crawls on and Aisha shelters in her flat. Doorstep visits from friends and family mark the passing weeks as Aisha struggles with how to tell them what's happening to her.
The Forgotten C

A 15-minute short about squatting in London, the film sees Lebon’s signature melding of cut-and-paste graphics and animation meet disarmingly intimate camera work. Told from the perspective of both the squatter and the squatted, it explores unconventional choices and the moral grey areas found in ownership, public and private living, family and community.
Diddly Squat

A short film highlighting the expense of traveling on the tube.
The World's My Oyster

A heavily pregnant criminal and her partner-in-crime head to a remote service station off the A90 for one last job.
Pram Snatcher

A woman's morning jog takes a dark turn.
Run

As students return to universities around the world, four British-Somali students talk about navigating one of Britain's most elite institutions: Cambridge University. Their identity is rooted in Somalinimo ('the essence of being Somali') and in this love letter to Somali culture, blackness, and Islam, they reflect on both belonging and marginalization. The women discuss conflicts with their parents, the sense of solidarity they have built at Cambridge, and the legacy they are creating for the next generation of British-Somalis. They give new meaning to an old Somali proverb: 'Clothing that is not yours cannot shelter you from the cold.'
Somalinimo
If you're black in the UK, the police are 10 times more likely to stop and search you. How would they feel if it was the other way around?
Stop and Search
No description available.