Chaerul Umam

The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.

It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.

The story of Ibrahim, a young teacher, who finds oddities in the life of the village he will live in. His life was influenced by Pak Harun's moral depravity which was decorated with gambling and homosexual acts. Ibrahim succeeded in opening the consciousness of the population. The slander against Ibrahim occurred as if he was crossing a hairline split in seven. Chaos ensues but with the arrival of the old traveler, the truth is revealed.

Bintang Kejora, an adventurer, is a drug seller who is boastful. He is blacklisted everywhere for being a fraud. One time he comes to a drought-stricken village, merely to see a girl he caught a glimpse of, sticking her head out of the window of a passing bus.

Lana and Joko are childhood friends. Joko has moved away from his family and chooses to live on his own, even in poverty. Lana, on the other hand, is tired of living with her rich family. They both fall in love with each other. Joko tries to write songs and succeeds. He becomes a rich man but also very superficial. The thing that drove Lana away from her family has now become a part of her own life.

City students come to the village for KKN with all their arrogance and pretentiousness, led by a fat student named Joe (Didi Petet). Many problems arise, starting from Budi (James Lapian) and Imam (Leroy Oesmani) who are not doing KKN well, but instead competing for a beautiful village flower named Neneng (Deasy Ratnasari). Likewise with Pinky (Meriam Bellina) and May (Sylvana Herman) who went down to the village as if they were going to shop at an elite shop. Their arrival also made the village hoodlums feel angry, so that the KKN activities were disturbed.

While chasing his dreams in Cairo, Azzam faces tough choices between love, family, and survival as heartbreak and setbacks threaten to break his spirit.

Siti Zahrana’s academical success makes her parents worried. Zahrana hasn’t married by her early thirties. There have been many men who solicited her, but she has refused them all politely. Zahrana’s conflicting issues spring up: to follow her parents’ wish or to pursue her own dreams. Actually she has relented once. She turns down a teaching post at Gadjah Mada University. The reason, her parents who live in Semarang don’t want her to be away. So Zahrana teaches at a Semarang university and stays with them. Then she also passes up a doctoral scholarship opportunity from China.

Di sebuah pesantren di Kediri, ada seorang pemuda bernama Syamsul (Dude Herlino) yang rela meninggalkan kehidupannya yang cukup nyaman demi tekadnya untuk belajar menuntut ilmu dan bergabung dalam pesantren.Kehidupan dalam pesantren membuatnya dekat Zizi (Meyda Sefira), seorang putri pemilik pesantren yang sebelumnya pernah menolong Syamsul saat dia dijambret di kereta.

An argument erupts within a well-known touring theater group that separates the three friends from their primadona, Ernie Djohan. Kris Biantoro, Ernie’s boyfriend, takes advantage of this chaos, to take over the group. So the three friends start a new group, and fortunately they successfully launch their careers in film.

Dono, Kasino and Indro is a student boarding house parent Nia, the beautiful girl. Dono and his two friends managed to make the robot to be commercialized. They also met with Chintami top singers. This singer together they hold a charity show for the home repair Ayu and orphaned nearly collapsed. When the show is almost underway, Chintami not appeared since detained managers who do not agree with the plan of the show. With witty style, Dono managed to bring Chintami to the venue. Chintami managers chase up on stage and make a show of their own.

Khairul Azzam, an Indonesian student in Egypt, has to support his family in his home country while focusing on his education. He tries to seek refuge and strength in God to help him through it all.

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Since childhood, Nanin’s parents taught her to be a pious woman and show devotion to her husband. But Nanin has difficulties in expressing it, although her marriage with Hendrawan has been blessed with two children. As a husband, Hendrawan neglects his wife’s feelings. Hendrawan, who lives in Jakarta, starts to cheat with another woman, Eva. Eva even tells Nanin, in Bandung, about her marriage plan with Hendrawan. When Nanin’s inner turmoil reaches its peak, she meets Salman, a student of ITB (Institute of Technology, Bandung). Nanin and Salman share similar views towards life, which make them really close. Hendrawan finds out about this relationship and he is jealous. At the same time, Nanin files for divorce. Hendrawan’s mother tries to prevent the separation while her husband blames Nanin for not being able to take care of him. Nanin doesn’t care anymore. After Salman gets his engineering degree, their friendship gets closer and divorce is inevitable.

Disappointed after seeing his homeland, Pasai, destroyed by the Portuguese, Fadhilah Khan, later known as Fatahillah or Fala Tehan, completes his education in the Holy Land, then joins Sultan Trenggono who rules the Sultanate of Demak. He gains a respectable position as a cleric, then marries the sister of the Emperor, Ratu Pembayun, and Ratu Ayu, the widow of Pati Unus, who died in the battle against the Portuguese in Malacca. The Portuguese want to establish a fort at Sunda Kelapa. But the Sultanate of Demak is determined to wage a war against the Portuguese. Fatahillah is elected as the commanding officer, and he conquers Sunda Kelapa, and changes its name to Jayakarta, which later became Jakarta.

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.

Newlyweds Merry (Lydia Kandou) and Andi (Ray Sahetapy) have to say goodbye to Anita’s parents who are going abroad for a holiday. Aunt and Uncle (Zainal Abidin, Ida Kusumah) have been asked to watch over them. While Merry and Andi are at the airport to see the parents off, a sweet looking girl comes up and kisses Andi and gives him a message for another young woman. Confusion ensues. Merry becomes suspicious. In the midst of this atmosphere of suspicion, Andi has to take part in an office meeting in Puncak. Even worse, after the meeting, Andi’s boss invites him to a party and after that Andi has to go to Bandung on business. Andi calls Merry, who has taken Andi’s joking around with his servant Kadir about women seriously, to inform her of these plans, and she tells him that she wants to separate from him.

The story of two young people from wealthy families who are looking for their own individual identities. Ramona (Lydia Kandou), who hates the patriarchal attitude men have toward women, immerses herself in the lives of the less fortunate people around her. Ramadhan (Djamal Mirdad), who is descended from Malaysian nobility, is in Jakarta gaining work experience as a low level company employee. The two young people meet in Jakarta and begin to like each other. The blossoming romance between these two young people who are each keeping their backgrounds secret from the other conveyed in a light and humorous tone. Eventually, however, they find out about each others' backgrounds. Ramona backs off, while Ramadhan continues to pursue her.

An athlete juggles her career and love life while an internal conflict within the sports organization gets in the way.

Like the film’s title, Parody of the Capital resembles a sketch of the community. Oom Pasikom, a cab driver, is stingy because of his measly income. Conversely, his wife moves within the high social circle and is a spendthrift due to her business as jewelry broker. Through Oom Pasikom’s glasses, small stories of the city are told - the ladies’ social gathering, lonely wives, the cleaning of the city and how it affects the small businesses, a student who is writing her thesis and so on.