Lee Suh-goon

A man on death-row wants to taste "doenjang jjigae" (a spicy Korean bean paste stew) before he dies. Television producer Choi Yu-Jin hears of the inmate and researches his story for an upcoming news report. Choi Yu-Jin then comes across a mysterious woman named Jang Hye-Jin who makes doenjang jjigae that brings tears of joy to those who tastes her recipe. As Choi Yu-Jin delves further, he learns of Jang Hye-Jin's heart breaking relationship with Kim Hyun-Soo.

A strange and destructive relationship develops between a chef and her neighbor, a former child actress.

Two obsessive-compulsives, a chef and an anorexic writer, are neighbors in an apartment building. The chef (301) tries to entice her neighbor to eat with fabulous meals. The writer (302) refuses to eat, and this refusal begins a turbulent relationship that forces both women to delve into their pasts of torment.

In 2028, cartoonist Han Cho becomes obsessed with his neighbor, an assassin named Nana. He professes his love for her but she remains indifferent. By accident Han Cho finds an amnesia-inducing drug which he uses to spike Nana’s drink. With her memory blanked out, Nana is told that she is Han Cho’s girlfriend.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

In this city, assisted suicide is legal. Members of the Suicide Club (SC) assist those who are afraid to commit suicide. SC sponsors the "Suicide Party", a new and fresh invention, where candidates gather, one by one. Now, how will the party end?