Nicoleta Hâncu

Two girls begin to chat about another girl, a former lover of both. As they grow closer, the gap between them widens, as one them is looking for answers and love while safely closeted. A try-out for love confined within suffocating prejudices, in today's Romania.

The New Year That Never Came is a tragicomedy whose action takes place in a single day, before the revolution of 1989, in which the characters search for normality, safety, love, freedom and meaning in an absurd world.

Plot TBA. Represents Radu Jude's feelings of "creative obligation" to Romania and channels Roberto Rossellini's 1948 film 'L'amore' while exploring sociopolitical tensions in Europe.

Matters of the heart weave themselves into a love pentagon between five actors as they rehearse for a stage play in Bucharest's historic quarter.

A night. Dozens of stories. A city. Lică, a taxi driver, is an all knowing guy, while Liviu, his friend, also a taxi driver keeps a lot to himself. They are completely different and their ideas about life and people only meet when they are eating and drinking at the bar. They are frustrated with their jobs. For Lică money is the most important thing, while Liviu thinks that a happy and fulfilling life represents more. They are trying to rediscover who they are and what they can do with their life, all while being on an on going adventure on the streets of Bucharest where they cross paths with all kinds of clients who end up having an impact on their lives, for better and also for worse.

Costi (30) suddenly comes up with the idea of visiting his father, Sandu, and arrange a surprise reunion with the rest of the family that Sandu has neglected all his life. It's Costi's way of running away from his own couple issues for a day.

Tired of waiting for love to happen to her, Clara decides to make it happen. She chooses Vlad for her love project. But she wants The One; he wants anyone. She wants a prince, and he is only a man.

Chronicling a day in the life of a rather solitary woman as she has to part from her much-younger lover, this film is a study in the art of non-verbal communication and the uselessness of words in the face of the inevitable.

Olga's grandmother, a successful lawyer, reveals on her deathbed that the adoptions she handled in the wake of the Romanian Revolution are riddled with shortcomings and the fate of many children unknown. Olga sets out to dig up the past.

Five breakups in five stories. A study on small apocalypses.