Geneviève Dulude-De Celles

A viral video of an 8-year-old Bulgarian artist catches the eye of a major art collector, and Mihail is sent there, 30 years after leaving his home country, to assess the value of the girl's work and confront ghosts from his past.

Dara returns home to reconnect with her husband and her young daughter, whom she left two years earlier. When she arrives, she discovers that a woman who is seven months pregnant has taken her place and that her daughter no longer recognizes her.

After a difficult separation, Serge Jr. takes his daughter Lily, 9, on a truck ride across Canada. They head to Alberta and its legendary Badlands World’s Best Truck Rodeo, a race Lily and him have been dreaming about. On the road, under his daughter’s increasingly worried gaze, Serge will eventually need to face the music.

Camille wanders through the countryside talking with frogs and chickens: she sails through life as a carefree soul. But for her older sister, the introverted Mylia, things are more complicated. Mylia is lost between the uncertainty in her family life, the superficial atmosphere at her new school and her first experiences at house parties. It is Camille who eventually introduces Mylia to Jimmy. The boy from the nearby Abenaki reserve is different and he encourages her to break free.

When Fannie offers her father to cut his hair, he accepts. Alain knows that his daughter will do it carefully and thoroughly, as usual. But an outside incident change their plans and confront the precariousness of this shared moment. The cut tells the story of a father and a daughter, between proximity and detachment, for the moment of an haircut. -Written by Colonelle films

Theo spends his 18th birthday alone, getting drunk at a brutal punk rock show. There, he meets Mag, a marginal teenager who invites him to spend the night at her place. A love story unfolds between them, but Theo has to move at the end of the summer in a small town, far away from a painful past.

Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.

A documentary portrait of high-school students in the Quebec city of Sorel-Tracy.

Seven lives come together amid the stench of beer and tobacco smoke in an apartment block where single rooms are for rent and the bathroom is in the hall. Only friendship, mutual aid and a healthy sense of humor allow these men, scarred by self-destruction and addiction, to face the harsh reality of their lives.

Every year, thousands of Quebecers flock south to escape the harsh winters. Using a quirky Wes Anderson–inspired aesthetic, Snowbirds examines their hibernation destination: the French-speaking community of Hallandale Beach in Florida. There we meet characters like Agathe, affectionately nicknamed "Aunty" by the other seniors, an 88-year-old Quebecoise who eats chocolate bars and drinks Pepsi for lunch. Her secret to a pill-free old age? A fanatical worship of the sun. Many others come for the same reason, and together their days at this campground community are dictated by English conversation classes, jaunts to the beach and afternoon lawn bowling. With lots of tenderness and good humour, the film considers the joys and woes of aging, the importance of community and American-Canadian cultural differences.

The spectacle of the 2016 Olympic Games in Rio de Janeiro is grimly contrasted with the poverty of those living mere blocks away from where much of the televised action is broadcast.

Three women live together in a closed and quiet apartment. Aude, Emma and Anne have an ambiguous relationship. Aude's breasts start to produce milk, for no reason. Her two roommates become aware of this, and it disturbs slightly their microcosm.

Two friends shave their legs so they can look like beautiful diamonds.

As night falls, Karen decides to leave the party where a friend is about to lose herself. A metaphor for life, this battlefield.