Valeriy Storozhik

The doctor opens the first department of plastic surgery in Moscow in the 1960s. Denis Shvedov as a talented medic.

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Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship.

In an ordinary industrial Soviet town, notable only for presence of a radio-telescope, people start behaving strangely, in a robotic manner, while assuming geometry-inspired aliases and organizing into a new hierarchy. The phenomenon spreads via a device of alien origin, called “the mediator”, capable of implanting extraterrestrial minds into human bodies. The aliens are bound by limitations of the terrestrial technology, having to use the means at the disposal of humans to prepare the grounds for the full-scale invasion. With “the mediator" being unable to subdue minds of children, lunatics, geniuses, and rebels, a struggle over the fate of the town and the human civilization ensues.

Sofya Petrovna, a typist from a publishing house in Leningrad, has her only son repressed. In her publishing house, managers and ordinary employees were repressed. And Sofya Petrovna begins walking around the offices, trying to explain that a mistake has occurred.

In this fantasy with dragons and flying machines, 10-year-old Marta is determined to find her brother who was kidnapped at Christmastime by a fake Saint Nick because the little boy is blessed with the ability to locate gold. A kindly, wise philosopher-type by the name of Orlando joins Marta in her search, and together they survive a gigantic sleeping dragon and imprisonment in a tower with no clear means of escape. They overcome that hurdle, but later on, Orlando succumbs to the evils of The Plague (an all-consuming woman!) and Marta continues on her search alone. Eventually, she does find her brother -- but that only introduces problems she had never considered.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.

On the advice of doctors, Irina's parents send their daughter to figure skating classes so that she gets stronger and gains strength, but Irina finds her dream and purpose in the sport. Completely absorbed by her incredible determination and complete dedication, Irina ends up in the CSKA figure skating school, where what distinguishes her from other athletes is fully revealed - incredible fortitude and thirst for victory.

Young Katya Batistova works as a sailor at a rescue station. Here she meets the 26-year-old philosopher from Moscow Evgeniy, who is relaxing in the House of Creativity with his grandmother, a former famous actress.

The film is based on the story of Fyodor Mikhailovich Dostoevsky. A sad story about how the demagogue and idler Foma Opiskin lived in the house of Colonel Rostanev, took possession of the souls and minds of educated, intelligent people.

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In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.

A former Soviet officer returns to Germany forty years after WWII...

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A young man arrives in a village to visit his uncle, a retired colonel, and finds the local community "enslaved" by a man who, according to him, "will remain in history." The situation develops into a tragicomedy and takes on elements of phantasmagoria.

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