Merdelle Jordine

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

Classic sitcom starring Eric Sykes and Hattie Jacques as brother and sister twins who have to tackle the trials and tribulations of suburban life.

Newly promoted Black detective Winston Churchill Wolcott is transferred to a troubled London borough, where he becomes embroiled in a drug war and police corruption, dealing with cross-racial tensions and a persistent journalist.

The Fosters is a British sitcom created and written by Jon Watkins and Eric Monte. It showcases the early work of Lenny Henry as the budding artist son of easygoing family man Samuel Foster (Norman Beaton). The series follows the day-to-day trials of Samuel, his lively wife Pearl (both immigrants from Guyana) and their three children on a South London housing estate.

Barry McKenzie's Aunt Edna is kidnapped by Count Von Plasma, the vampire head of an isolated Eastern European dictatorship who mistakes her for the Queen of England and thinks that kidnapping her will draw tourists to his country. Barry and his mates set out to rescue her and bring her back to Australia.

The Carry On team send up the Tarzan tradition in great style. Lady Evelyn Bagley mounts an expedition to find her long-lost baby. Bill Boosey is the fearless hunter and guide. Prof. Tinkle is searching for the rare Oozalum bird. Everything is going swimmingly until a gorilla enters the camp, and then the party is captured by an all female tribe from Aphrodisia...

An alcoholic London ex-cop becomes involved in a kidnapping drama and tries to free the daughter of a friend from a brutal gangster mob.

In this avant-garde classic, protagonist Louise deals with a change in her lifestyle in which she must learn to negotiate domestic life and motherhood.

Frankie Dymon's Death May be Your Santa Claus (1969), arguably Britain's first and only example of a 'black power' movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg's Performance, Godard's Sympathy for the Devil in which Dymon played a leading role, or Boorman's Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a 'pop fantasy' and offers an intriguing look at 60s sex and politics from a black British perspective.