Acting
Four teenagers face early motherhood, grappling with emotional challenges, family rejection, and crucial decisions. Amidst difficulties, they discover the value of love, responsibility, and support, transforming their lives and exploring second chances with hope and self-improvement.
Dr. Rodolfo Arias, a controversial and corrupt lawyer, is the victim of an attack and he points to his two enemies Miguel Guevara and Javier Roldán as the ones responsible. Faced with this situation, Guevara proposes to Roldán a plan to assassinate the lawyer. Fucho, a young criminal whose brother had been a victim of Arias' corruption, together with two other thugs, would be responsible for perpetrating the murder.
Ramiro is a ringleader of a gang of drug traffickers that in order to introduce a new drug, called Night Music (MĂşsica Nocturna), must eliminate Aurelio, the biggest drug lord. To implement his plan, he use his friend Daniel has bait who has a close friendship with Aurelio. Ramiro succeeds, murders Aurelio and proposes Daniel to participate in the drug business.
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After several years of retirement, Roco decides to make a new film. To achieve this, he reassemble his crew: cinematographer Larsen, Nacho the cameraman, soundman Meta and Cacho, the ever loyal machinist. But social and personal crises have dispersed the strange and remote territories of reality. Sometimes dramatic and and sometimes funny, Roco's search will lead him to an unavoidable encounter of life, death and rebirth.
The confrontation between two families over possession of the land gradually becomes a great slaughter where almost all the members of one the sides dies. One of the survivor will take justice into his own hands.
Two love triangles become complicated when infidelity is discovered.
A journalist will seek to decipher what happened in Cabimas in 1992, when a well burst, flooding a village for nine days. The different versions of the population and the cult of a saint will make you enter a labyrinth with unexpected situations.
As José Abreu “Guanipa” is transferred with a group of prisoners to the Guasina camp in the Orinoco Delta, he recalls the torture he was subjected to by SN (National Security) henchmen in order to obtain information about the resistance. In Guasina, the prisoners are subjected to forced labor while they plan their escape. Guanipa is released after signing the bond and the rest of his companions remain in the camp.
A young woman, moved by the circumstances of her social environment, falls into crime, drugs and prostitution
The film tells the story of Ramón Antonio Brizuela, who since childhood has to deal with rampant violence and the drugs, sex and petty thievery of a Caracas slum. Starting with delinquency, Ramón moves on to serious gang activity and robberies. He grows into a tough, self-confident young man who is hardened to violence. His views change when his fiancée's brother is killed in a robbery.
El Caracazo o SacudĂłn fue una serie de fuertes protestas y disturbios durante el gobierno de Carlos AndrĂ©s PĂ©rez, que comenzĂł el dĂa 27 de febrero y terminĂł el dĂa 28 de febrero de 1989 en la ciudad de Caracas, e iniciados realmente en la ciudad de Guarenas, cercana a Caracas. El nombre proviene de Caracas, la ciudad donde acontecieron parte de los hechos, recordando a otro hecho ocurrido en Colombia el 9 de abril de 1948; el Bogotazo. La masacre ocurriĂł el dĂa 28 de febrero cuando fuerzas de seguridad de la PolicĂa Metropolitana (PM) y Fuerzas Armadas del EjĂ©rcito y de la Guardia Nacional (GN) salieron a las calles a controlar la situaciĂłn.
Ramon Antonio Brizuela is a criminal whose life passes between rounds, parties and showdowns. Recognized by a witness during an assault, he is taken to jail where he becomes aware of the unfair and corrupt judicial system.
"Hijos de la tierra" presents a drama set a little before the 1920s, in which scattered news, stories and rumors spread the presence of a new wealth, oil, leading to the suspicion that a great change was about to take place.
A politically charged film, where a series of archetypal characters are presented.
Ignacio is known as El Iluminado de la Esmeralda (The Enlightened One of the Emerald) for his healing powers. Urged by the eviction of the house where he lives, he decides to charge for his services with an illusionist. What he ends up with is being mistreated and taken advantage of by others, even ending up in jail. After regaining his freedom, he goes mad.
