Tom Kaufman

In advance of the 2020 Presidential election, Kill Chain: The Cyber War on America's Elections takes a deep dive into the weaknesses of today's election technology, investigating the startling vulnerabilities in America's voting systems and the alarming risks they pose to our democracy.

In the midst of unprecedented national prosperity in the 1960s, poverty was "rediscovered" by American policy makers, media and the public. This series examines how the poor fared during these years and the resultant evolution of foundation and public sector programs addressing the challenges of poverty.

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.

The true story behind one the of most daring rescues in modern US history: a secret mission to free hostages captured during the 1979 Iranian revolution.

Using masterfully restored footage from recently declassified images, The Bomb tells a powerful story of the most destructive invention in human history. From the earliest testing stages to its use as the ultimate chess piece in global politics, the program outlines how America developed the bomb, how it changed the world and how it continues to loom large in our lives. The show also includes interviews with prominent historians and government insiders, along with men and women who helped build the weapon piece by piece.

Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.

Adapted from an Appalachian Jack Tale set in the late 1940s, this tale follows a World War II veteran named Jack who, in return for an act of kindness, receives two magical gifts: a sack that can catch anything and a jar that can show whether a sick person will recover or die. Jack becomes a national hero when he rescues the president's daughter from a serious illness by capturing Death in his magic sack. However, after many years without Death in the world, Jack realizes that he has upset the natural order and releases Death to save humankind from perpetual old age and misery.

With the survival of the Democratic Party at stake after the country's worst three presidential losses a little-known Bill Clinton and a band of insurgents at the DLC challenge the establishment to retake their party and the White House.

This film demonstrates how labor law has crippled the collective bargaining power of unions and weighed the scales of justice against working people. The documentary follows the 1988 United Mine Workers strike against the Pittston Coal Company that followed the expiration of their contract and Pittston's termination of the medical benefits of 1,500 pensioners, widows, and disabled miners.

The life of John Allen Muhammad. The D.C. Sniper, as told by his ex-wife Mildred.

Exploring the life of Aung San Suu Kyi. After 15 years of house arrest in Myanmar, she was celebrated as an icon of democracy, but ten years on, she is seen by many as an international pariah.