Pandi Raidhi

On the anniversary of the death of Commissioner Ibrahim Kovaçi, six of his war friends are accompanying his statue to his native village, where a ceremony will be held. During the road, each of them remembers moments related to the life of Ibrahim.

World War II. Albania is under the Nazi occupation. The Germans capture two young girls and torture them to learn more about the communist movement.

The movie is based on a Fatmir Gjata screenplay. Gjata had written a novel with the same title earlier. The events evolve in the 1950s. The main character, Tana, is a smart, outgoing and progressive young woman. She is in love with Stefan (Naim Frashëri) and they both live in an unnamed mountain village in Albania. Tana has to face the old mentality of her old grandfather and she also has to fight the jealousy of Lefter . It is a love game, while socialist progress is highlighted as is often in the socialist realism.

Nebi Surreli lives in poverty along with his mother. Doing small jobs to earn a living, he also helps his town's communist unit.

Olga's decision to live with her daughter Meli, who works as a doctor assistant, in a remote village turns into situations full of vicissitudes. After an entire trade fair of correspondence to find a groom from the city, Olga presents Koçi to Mili, who pretends to be a true artist. But Meli has fallen in love with Bujar, and doesn't seem to want move away from the village.

A driver is tasked with sending weapons illegally to the partisan soldiers.

After the war, the country is plagued by famine. The secretary party committee, Martin Kreka, leads a campaign to gather the grain that is sold in the black market.

Beni is an eight-year-old boy living in Korçë with his parents and leads a sheltered life. His mother is very protective and doesn't let him play outside. When Beni is able to go outside, the neighborhood children make fun of him. One day when his uncle Thomai is visiting, he sees Beni crying after the other children took his horse. Thomai decides to take Beni on horseback to a distant village where he teaches him about life and how to be a man.

A nephew takes care of his lonely aunt after her husband passes away. Problems and misunderstandings arise as she starts adapting to this new lifestyle.

In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi

Agron, a new chairman of the district executive committee, feels encircled by authority of his mother in law, Frosa and some relatives and friends, which want to make use of Agron's position for their own interests.

An old gardener tends for the flowers during the war. Nazis ask him for flowers for their dead.

The committee led by Çerçiz Topulli, Mihal Grameno and Hajredin Tremishti return to their village and assassinate the Turkish officer of Gjirokastra. Afterwards, the Ottoman army starts a campaign against the province of Mashkullorë, which became a symbol of Albanian resistance and fight for freedom.

Film set in a remote mountainous area where work and living conditions are harsh.

It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"

World War II - a famous warrior and a villager face the destruction of their village and heroically lead the people in a rebellion.

Hëna, who works in a construction site, falls in love with another worker, Agim.

After living in various European cities, militant Besim Pepa comes back in Albania during the years 1932-1936. Here, he is persecuted and imprisoned, so he has to emigrate again.

Dino Bregu, head of a state farm, learns that Ilir, his successor, is having a relationship with his daughter, and must cope with this situation.

World War II. The fascists kill a boy and invite his mother to identify the body, but she refuses.