Rachel Tunnard

A band of fearless chickens flock together to save poultry-kind from an unsettling new threat: a nearby farm that's cooking up something suspicious.

About the young life and loves of artist Salvador Dalí, filmmaker Luis Buñuel and writer Federico García Lorca.

Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives, helping each other to overcome their fears for loved ones in combat.

Anna is stuck: she’s approaching 30 and has just moved back to her rural home-town, and into a shed in her mother’s backyard. She spends her time working a menial job at a local boating center and hides in the depths of her imagination, making movies with her thumbs. Irritated by her childish behavior, Anna's mother insists that she move out of her shed and on with her life. When a troubled young boy starts hanging around, the two form an unlikely bond. Through their strange yet mutually beneficial friendship, Anna slowly begins to confront her perpetual state of arrested development.

Abandoned by her mother when she was a child, Shell has stayed to take care of her dying father but now feels trapped within the beautiful but desolate landscape that surrounds her. With only her routine of running the decaying petrol station, taking care of her father, and spending afternoons in her bedroom with a local mechanic, life is passing Shell by with every passing truck that rattles her walls. One day a salesman stops to re-fuel and offers Shell a taste of the outside world that takes her closer than ever to the edge of the road and her desire to escape.

Lucy thinks her brother, Luka, is broken. His obsessive, infuriating arrangements of sugar cubes and thimbles prove it. Lucy thinks he should be fixed, but not in the way she imagines.

Recently paroled after serving a long stretch for his wife's murder, Joey One-Way aligns himself with a producer who has optioned the play he wrote in prison. As he sets about adapting his work for the big screen, Joey falls for his new pal's ex-con wife, and enters into a doomed affair.

Holed up in an LA hotel room, John Moffat has fanciful, deluded dreams about meeting his idol Steven Spielberg. When Moffat befriends an ageing hotel employee, a twisted struggle for power develops.

An astronomer enters into a destructive affair with a photographer.

Forty-something mummy’s boy Neil Barrow attempts to make his mum proud. Living out his fantasy the attempt leads to a disastrous stand-off at his local school.

A chance reunion with a woman from his past takes one man on a heartbreaking journey across time.

Anna lives a hermit's life in her Mum's garden shed, making videos starring her thumbs. She wants to stay there but her Mum has other plans.

In writer-director Nick Whitfield's black indie comedy, a pair of "exorcists" (Ed Gaughan and Andrew Buckley) with the power to rid people of their secrets agree to help a woman (Paprika Steen) whose daughter (Tuppence Middleton) is mute -- and whose husband is missing. Jason Isaacs co-stars as the mysterious Colonel, who seems to be calling the shots from the sidelines of the duo's shadowy enterprise.

A look at the array of mysterious, quirky objects received by fashion designer Paul Smith and the effect they have had on his life.

John, lives in a remote area of Scotland. The primary industry is potato farming and John is a picker who lives for the harvests; it is all he has in his life. He yearns for a life that he does not know how to make for himself - a home and family. John exhibits all the signs of someone who has suffered unknown tragedies in his life, but those reasons are hidden from the viewer. While driving back to town on a dark and isolated road, John comes upon a car stopped up ahead. He immediately can see a hose attached to the exhaust pipe. He has come upon a suicide. Suddenly, headlights appear in the opposite direction and John's immediate reaction is to hide, though he has done nothing wrong. That choice leads John to take the body of the dead young woman to a shed in the woods.