Elizabeth Fendrick

In the early 21st century, mankind has colonized the oceans. The United Earth Oceans Organization enlists Captain Nathan Bridger and the submarine seaQuest DSV to keep the peace and explore the last frontier on Earth.

Two homicide detectives, Christian Walker and Deena Pilgrim, are assigned to investigate cases involving people with superhuman abilities, referred to as “Powers.” Set amidst today’s paparazzi culture, Powers asks the questions, what if the world was full of superheroes who aren't actually heroic at all? What if all that power was just one more excuse for mischief, mayhem, murder, and endorsement deals?

Sheena's parents were archaeologists who died in the jungle when she was about six years old, leaving their daughter Shirley Hamilton. She was taken in by Kali, a local Shamaness of a tribe who brought her up, and five years ago she was taught how to morph into animals and birds, acquiring their abilities, even flight. Further, she became a mythical creature called "The Darachna" who relies on people' fear of the unknown. For this she covers herself in a dark liquid mud which allows her to be largely unseen in the low light of the jungle, and with more than normal strength, agility and speed, and armed with a pair of gloves with bone claws, she is a formidable one woman fighting force. She does kill sometimes.

Hoping to bring his family closer together and to recreate his childhood vacation for his own kids, a grown up Rusty Griswold takes his wife and their two sons on a cross-country road trip to the coolest theme park in America, Walley World. Needless to say, things don't go quite as planned.

Inspired by the true story of Greg Yance. In the film, Yance (Epps) is a hood who goes to jail for possession of drugs. He is given a choice: 5 years in jail or a couple of months in boot camp. He chooses boot camp and finds out it is tougher than he thought it would be. He braves it through and comes home a better man. He then has to deal with the real world, and never gives up no matter what the odds.

Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.

A young wife and mother of two children is challenged to overcome her passive beliefs on religion after a serious car accident. Receiving haunting images of her past she is forced to make a decision that will decide her fate.