Anthony Schaeffer

The residents of Coronation Street are ordinary, working-class people, and the show follows them through regular social and family interactions at home, in the workplace, and in their local pub, the Rovers Return Inn. Britain's longest-running soap.

Jack Frost is a gritty, dogged and unconventional detective with sympathy for the underdog and an instinct for moral justice who attracts trouble like a magnet. Despite some animosity with his superintendent, Norman “Horn-rimmed Harry” Mullett, Frost and his ever-changing roster of assistants manage to solve cases via his clever mind, good heart, and cool touch.

Sherlock Holmes uses his abilities to take on cases by private clients and those that the Scotland Yard are unable to solve, along with his friend Dr. Watson.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

After completing a two-year prison sentence for a bribe he didn't take, former DI Alan Lomax wants answers. With at least one luxury left - a narrowboat, and it's on the canals, among the day trippers and travellers, that he means to seek revenge. Not an easy task for an ex-detective isolated on the wrong side of the law.

Introduced by renowned English actor Edward Woodward, In Suspicious Circumstances is an anthology of reenactments depicting real-life murder mysteries, some famous and some obscure, exploring cases with elements of miscarriage of justice, unsolved mysteries, and unusual circumstances, often spanning different historical periods.

Strangers is a 1978–82 ITV police procedural created and principally written by Murray Smith, based on characters created by Kenneth Royce in his novel series and subsequent 1977–78 television adaptation The XYY Man. Don Henderson and Dennis Blanch reprise their roles, respectively, of Detective Sergeant (DS) George Bulman and Detective Constable (DC) Derek Willis. A group of police officers are brought together from across the country to the north of England. There, the fact that they're not well-known gives them the advantage to infiltrate where a more familiar local detective could not. Despite being based around a comparatively small team of detectives, a regular feature in its early years is that few episodes feature the entire team, with most using just two or three regulars in any major role.

The New Statesman is a British sitcom of the late 1980s and early 1990s satirising the Conservative government of the time.

The Sandbaggers is a British television drama series about men and women on the front lines of the Cold War. Set contemporaneously with its original broadcast on ITV in 1978 and 1980, The Sandbaggers examines the effect of the espionage game on the personal and professional lives of British and American intelligence specialists.

Brass is a British comedy-drama series created by John Stevenson and Julian Roach, and produced by Granada Television for ITV and eventually Channel 4. Satirising the working-class period dramas of the 1970s and the American supersoaps such as Dallas and Dynasty, Brass was unusual for ITV comedies of the time, as there was no laugh track and the humour deliberately kept extremely dry, using convoluted wordplay and subtle commentary on popular culture. Set primarily in Utterley, a fictional Lancashire mining town in the 1930s, two feuding families—the wealthy Hardacres and the poor, working-class Fairchilds, who lived in a small terraced house rented from the Hardacre empire.

Follows two rival barristers' chambers in Manchester, England, contrasting defence Jack Roper's struggling firm with his former mentor, prosecutor Laurence Scammel's more established chambers, and exploring their personal and professional rivalry through complex legal cases.

Springhill was a British soap opera/drama, produced by Granada and broadcast in 1996/1997 on the Sky One satellite channel, and later on Channel 4. It consisted of 2 series, each containing 26 episodes. Set in Liverpool, Springhill based its main theme on the battle between good and evil, entwined around a complex family drama. Issues covered included adoption revelation, genetic sexual attraction, bigamy, homosexuality, infertility, surrogacy and murder. Aside from this there was a supernatural aspect, which included elements of religion, Angels, apparitions, witchcraft, time travel and the Second Coming of Christ.

That's My Boy is a British sitcom produced by Yorkshire Television for ITV from 1981 to 1986. It stars Mollie Sugden as Ida Willis, who takes a job as a housekeeper for her son, whom she gave up for adoption years earlier.

Focuses on Bernard Samson (Ian Holm), beginning with his search for the "mole" that threatens the Brahms Network in East Germany. Samson is sent to Berlin to bring out a Brahms agent. He is then sent to Mexico to try to persuade a KGB major (Gottfried John) to defect, using his childhood friend Verner Volkmann's wife Zena as bait. After it appears another traitor is working at London Central, Samson himself becomes one of the prime suspects.

Amidst the thaw of glasnost, the Kremlin discovers that two Soviet agents, sent to England under deep cover in 1965, have been "lost." A beautiful and ambitious Russian agent, sent to London to track them down, becomes embroiled in a tangle of CIA, KGB and MI-5 plots and counter-plots as the two lost agents, now utterly assimilated, try to avoid detection.

Dr. Vache has a plan to destroy the world’s economy by flooding it with gold. Spies Gunn and Powder are on a mission to save it.

MI5 operative Neil is asked to meet with retired KGB officer Alexander Petrov, who has approached MI5 claiming that he has highly classified information that he wishes to sell to pay for a triple heart bypass.

Julie is an English student assigned to write a paper about "nudity in the 80s". A bit overwhelmed at first she takes on the project by visiting a nudist camping with her boyfriend. But while she learns about nudity and nudism, her boyfriend struggles to keep up.

Superstar bouncer Steve Donovan is pulled back into the world of gang violence when he accepts the role of door protector at an upmarket club in Manchester.

WAITING FOR ALAN is about a woman whose marriage is dead. Trapped in the rich but sterile environment of a lavishly appointed country house, MARCIA is a microcosm of society – a victim of, and partner in, someone else's routine. It’s not the housework or the cooking (MRS BETTS looks after those), but the daily monotony of waiting for ALAN – her newspaper-reading, TV watching husband. To him, she's just the emotional central heating switched on and off in return for paying the bills and expected to operate as smoothly and regularly as the washing-up machine or the gardener. But MARCIA has waited long enough… WAITING FOR ALAN is a humorous but critical 'tale of the unexpected' (and expected) in classical, three-movement sonata form. It was screened at least twice on Channel Four television in the late eighties and both times received a very positive audience response as well as praise from weekly pre-viewers in the newspapers