Miro Remo

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A funny, ironic but also serious film about the meaning and state of Slovak coolture. Coolture has become one of the other components of the store. As a result, its quality has been subject to commercial interest much more than before '89, transforming it into a number of more easily digestible genres of questionable quality. Even though there has been a socio-cool relaxation, our coolture is still looking for its identity. It is difficult to orientate this cool teenager. New media and the Internet have become the most widespread form of its dissemination. There has been a dramatic outflow of viewers from traditional cool-hearted events. New cool-life phenomena have emerged in connection with lifestyle change. How does the Slovak coolture look like today (official distributor text)

Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers.

Franta and Ondra, eternal children and inseparable twins, live in a quietly magical world with their beloved animals. They share every moment, every thought, every routine. Outwardly they appear identical, yet inside they are two entirely different souls. Over time, their closeness begins to suffocate. Franta yearns for freedom, for flight, for life beyond the walls they share. Ondra remains rooted, content in the familiar, closed to change. Their bond begins to fray. Can they ever truly separate? How do you escape a world that wears your face? In the end, will love endure or will only death set them apart?

Fifty-something former miner Jaroslav has always dreamt of a career as a race car driver. In a congenial and jovial manner, he represents not only the charms and struggles (especially economic) of southeastern Moravia, but also the ever more visible chasm between city and countryside. An uncommonly charismatic portrait of a man struggling with the traumas of the past who, with disarming directness, clings to the promise of good luck and a dignified life alongside a new partner.

The film gives a complex insight into the gap in political reality of Slovakia - one of the EU countries - which became visible after an investigative journalists Ján Kuciak and his fiancée has been brutally murdered at their home. Following mass demonstrations led to substantial changes in the country's government, but the film doesn't follow history, but much more the universal processes behind the curtain. Journalists, (ex?)-officers of secret services, lawyers and analysts helps to reveal detective story in search of whom ordered to murder a journalist and an innocent girl. But main concern of the film is to reflect mechanisms of oligarchy and mafias (including the Italian) to blackmail key players of the system, to influence public perception and to penetrate police, judiciary and the government in their efforts to rule the country in the ways leading to their profits.

The film is a story of a mother and her son Lubos who lives in a world turned upside-down, or, arsy-versy. Lubos broke free from the world as generally conceived by others to arrive at the supreme human-nature symbiosis; he flew away to a planet purely inhabited by butterflies - intelligent beings. The sole focus of his life energy, enriched by a great deal of empathy, is being channelled into his amateur photography and film making, the climax of his fascination with natural phenomenon being his unique study of bats. By way of communicating with the upside-down creatures he is fascinated with, he attempts to achieve the utmost understanding between man and beast. He is assisted by his mother who has been a great research and life.

Spending years behind bars changes a person. For Miro and Zlatko, two Slovak inmates, the world "out there" has slowly lost its enticing luster: "You have to reeducate yourself, they won't do it for you," says one of them. Will the road to freedom have a happy ending or lead back to a gloomy cell?

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The forest is cultivated with a saw. At least that’s still what forestry schools teach. But what does a healthy forest actually need? Foresters and hunters see the forest as an agricultural commodity and nature as something that must be constantly regulated and managed. On the other side stand conservationists – advocates of non-intervention, who believe the forest can take care of itself without us. Where does private ownership stand in this conflict? And is a human’s right to use natural resources in their surroundings superior to the bear’s right to do the same? Slovak forests have become a battleground – but also a proxy issue of a social conflict that runs much deeper than it first appears.

For 25 years, Richard Müller has been a key figure in the Czech and Slovak music industry. Despite quitting music once, he returned to the stage while battling untreated manic depression and drug use. The documentary offers an intimate look at his artistic journey and personal struggles, amidst constant fan and tabloid attention. Filmed over three years with over 200 hours of footage, it includes home videos shot by Müller. It follows the tradition of Czech artistic documentaries like Amy and Nick Cave: 20,000 Days on Earth, exploring themes of inspiration and loneliness.

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