Pietro Marcello

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

In the years between WWI and the rise of Fascism, legendary thespian Eleonora Duse shocks everyone by getting back onstage at over 60 years of age. Struggling with the brutality of historical events unfolding and clinging to the possibility of utopia, she makes her art a revolutionary act, even at the cost of sacrificing health and affection—facing her final journey aware she could give up life itself, but not her own true nature.

A French widower and WWI veteran returns home after the war to raise his newborn daughter.

The Istituto Luce turned ninety in 2014, its decades-long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. The result is an album full of different narratives.

Pulcinella, a foolish servant, is sent from the depths of Mt. Vesuvius to present-day Campania to grant the last wish of poor shepherd Tommaso, who spent his whole life looking after a crumbling Bourbon estate: his mission is to save a young buffalo named Sarchiapone. Pulcinella takes the buffalo north and the two servants, man and beast, travel through a beautiful and lost Italy.

A portrait of Italy observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.

Upon his release from prison, an ex-convict returns to his beloved city of Genoa, and to his lover.

A documentary about the Armenian avant-garde filmmaker, Artavazd Pelešjan.

The city of Naples is told through 24 short stories that emphasize its complexity, looks and characters.

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A visual and sonorous journey into the poetic and irreverent imagery of the Italian singer, Lucio Dalla.

For the 90th anniversary of the Istituto Luce, ten new-generation filmmakers were invited to dig into the archives of the famous institute. Pietro Marcello and Sara Fgaier decided to pay tribute to the rural world of this “lost and beautiful” Italy, accompanying their images with excerpts from Carlo Levi’s book, Un volto che ci somiglia (1960).

A journey through Italian landscapes as seen through the windows of a long-distance express train.

New adaptation of Manzoni's novel.

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