Francesca Mazza

Set between the late 19th and early 20th centuries, Zeno Cosini, a wealthy Trieste merchant, neurotic and smoker, is marked by a conflictual relationship with his father and a chronic sense of inadequacy that drives him to seek help from psychoanalyst Dr. S.

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Nightfall. Marco, a politician, is murdered while he is going home. Also Luca, a gay man, is going home, where his partner Paolo is waiting. But he is on the killer's way, and he is shot. Paolo dashes to the hospital but the doctor doesn't want to tell him anything because Paolo isn't a "real" relative. Luca dies. Paolo starts walking in the streets of the town, where his loneliness will be ever misunderstood. A barman tries to comfort him supposing he was discharged by his girlfriend. Luca's mother orders Paolo to leave the house. A guy takes Paolo to him's, looking for a partner in the night. Paolo runs away from everybody, also from his friend Francesca: she says she is understanding but she can't. While the dawn is coming, Paolo reads about the murders on the newspapers, and realizes that what happened was reality.

For Il Gabbiano, the first stage of the Chekhov Project, director Leonardo Lidi creates a simple stage setting in which he weaves together a sound box for the emotions that drive the characters, isolated on the shores of a large lake on a summer estate.

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Serebrjakov, Uncle Vanya's brother-in-law, is widowed and has remarried Helena. He wants to sell the country estate where the family lives: this unpopular decision sparks one of Chekhov's most famous dramas.