Monika Treut

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.

20 years after Gendernauts, Monika Treut seeks out the pioneers of the transgender movement back then to find out how their lives and their activism have evolved, how they have grown into their identities and how their energy continues to have an impact today.

Pioneering trans writer Max Wolf Valerio talks about his life and experience of transition in this groundbreaking documentary short, one of the very first portraits of a trans man on film, directed and produced by noted filmmaker Monika Treut.

The filmmaker Monika Treut documents in this very personal film her travels, which she undertook between 1999 and 2002. She attended film festivals in metropolises on all continents, from San Francisco to Jerusalem, from Rio de Janeiro to Paris and Jerusalem, where she tried to capture the social and political peculiarities of the respective country.

From feminist director and provocateur Monika Treut comes this eclectic collection of four short documentaries profiling unconventional women. One has Camille Paglia explaining her ways of thinking. One has Annie Sprinkle explaining her approach to performance art, which includes inviting audience members to view her cervix with a speculum. One interview investigates a professional woman's preoccupation with sadomasochism. The fourth documents the life adjustments of an F2M (female-to-male) sex change who looks like a dangerous biker, with slick black hair, a matching motorcycle jacket, and tattoos.

A confrontation with Camille Paglia, the infamous author.

The sexual fantasies of women are explored by four female directors.

A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.

Can there be pornography for women? In search of an answer, Esther Gronenborn stumbles through Germany's porn scene like Alice in Wonderland and interviews Beate Uhse, activist Monika Treut from the PorNo movement, and other minor and major figures from the porn industry.

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Nowhere else does the experimental kitchen of digital democracy simmer as intensely as in the geopolitically threatened island republic of Taiwan. The "recipes" for these menus were created by activist students from the open-source community. Visionary Digital Minister Audrey Tang is spreading the concept internationally. At the heart of the film, however, are the creative cooks of the LGBTQI+ community and the emerging environmental movement.

A woman who is mourning the love of her life falls into a relationship with a mysterious stranger.

A woman reflects on her romantic relationship with a young Moroccan years ago. Her daughter travels to Morocco, attempting to relive her mother's past.

Bondage was made from, among other things, footage Monika Treut filmed in New York with women of the LSM(Lesbian Sex Mafia/ Lesbian Sado-Masochists). The statements of Carol form the core of the film. She speaks about her sexuality, her love of bondage, her desire for pain, which she shows in front of the camera. Her talking is interrupted by assembled impressions: intersections and subways pass through a chained female body

Vicky, an out-of-work actress, struggling waitress and lesbian has her whole life thrown into turmoil when her father comes from Germany to visit. The main problem is that Vicky has told him she is a successful actress and happily married. She enlists the help of a gay friend to play her husband. Using a large range of characters—gay, lesbian, straight, transsexuals—the film creates a funny and touching view of family dynamics and sexuality.

Despite its suggestive title, this multi-part Danish omnibus film is not a work of exploitation. Instead, it presents 20 different short films (back-to-back) on the general theme of Danish women, directed by filmmakers including Krzysztof Zanussi, Monika Treut, Gustav Hamos, David Blair, Vibeke Vogel, Dusan Makavejev, Morten Skallerud and Lars Norgaard. Some dramatic vignettes mix with other comedic ones, but all are offbeat and experimental. The picture includes one animated sequence (by Norgaard).

Together with her bisexual friend and manager Stefan, singer Miko is working on a great career that has so far failed to materialize.

From Go Fish to Paris is Burning to The Watermelon Woman, this festival favorite goes behind the scenes to reveal seven successful lesbian directors. These talented movie-makers enlighten and entertain as they explore their sexual identity, growing up gay, inspirations and techniques, Hollywood vs. Indie, and of course, love and sex, onscreen and off. The conversations are intimate, the topics unlimited, and the clips from their work enthralling! Featuring Cheryl Dunye, Rose Troche, Jennie Livingston, Monika Treut, Maria Maggenti, Su Friedrich and Heather MacDonald.

Yi-Chun loves dancing. She attends ballet classes at her high school, with a lot of discipline, even if the exercises are painful. "Made in Taiwan" is a sensitive portrait of a 17-year-old Taiwanese girl who shares her very personal worries and joys with us. The young woman loves to eat, but every intake of food is watched suspiciously by her family; the slightest weight gain is a hindrance to her dancing career. Her voice-over tells of her school day, which is subject to a strict dramaturgy: the alarm clock rings at 5:45 am, she is often not home until 7 pm, then she does her homework, takes a shower and goes to bed - she has neither time nor energy for a boyfriend. The annual school trip to the seaside is the perfect escape from the routine: karaoke on the bus, sweets and a fairground make for a good atmosphere. Monika Treut observes the youthful hustle and bustle without judging it, always keeping a careful eye on her protagonist's face.