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Carol Kaye

Acting

Biography

Carol Kaye is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 50 years. Kaye began playing guitar in her early teens and after some time as a guitar teacher, began to perform regularly on the Los Angeles jazz and big band circuit. She started session work in 1957, and through a connection at Gold Star Studios began working for producers Phil Spector and Brian Wilson. After a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s, playing on numerous hits. She moved into playing on film soundtracks in the late 1960s, particularly for Quincy Jones and Lalo Schifrin, and began to release a series of tutoring books such as How To Play The Electric Bass. Kaye became less active towards the end of the 1970s, but has continued her career and attracted praise from other musicians. During the peak of her years of session work, she became part of a stable of Los Angeles-based musicians which went by a variety of informal names, but has since become known as "The Wrecking Crew". Her work with the group led to her prominent role in the 2008 documentary film titled The Wrecking Crew.

Known For

Carol Kaye: Pioneer and Session Legend
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If you've ever listened to pop music from the 1960s and early 1970s, you've heard the (probably uncredited) work of The Wrecking Crew. The Wrecking Crew were a group of in-demand Los Angeles studio musicians who played on hundreds of iconic hits, including the Beach Boys' "Help Me, Rhonda" and The Mamas and The Papas' "California Dreamin'." Many different musicians played as part of the loosely organized Wrecking Crew, but there were three mainstays: drummer Hal Blaine, guitarist Tommy Tedesco, and guitarist and bassist Carol Kaye. Kaye was one of the few females working session musicians of the era. According to Vulture, both The Beach Boys' Brian Wilson and super producer Quincy Jones have referred to her as the greatest bassist in the world. 

Carol Kaye: Pioneer and Session Legend

2011Movie
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Central Avenue thrived as a Black entertainment metropolis of Los Angeles during the 1920s through the mid-1950s. While it is often assumed that women who performed on Central Avenue were mainly vocalists, some of the most celebrated female instrumentalists in the history of jazz performed on this scene. When Central Avenue slowly closed its doors in the 1950s, many of these women instrumentalists continued to perform in Los Angeles and beyond. But more importantly, their legacy as "The First Ladies of the Horn" opened the doors for the next generation of women instrumentalists on the Los Angeles scene. Beyond Central Avenue documents the musical narratives of some of the leading contemporary female instrumentalists of Los Angeles and their impact on the music industry.

Beyond Central Avenue: Contemporary Female Jazz Instrumentalists of Los Angeles

2011Movie