Bob Neuwirth

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.

A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.

Two Welsh women win a trip to Hollywood.

On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.

Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.

Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. Though shooting had completed for the film, Dylan's July 1966 motorcycle accident delayed the editing process. Once well enough to work again, Dylan edited the film himself. ABC rejected the film as incomprehensible for a mainstream audience.

Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

Interviews with celebrities such as Joan Baez, Jackson Browne, Dennis Hopper and Willie Nelson examine the remarkable career of actor-performer Kris Kristofferson, who successfully bridged the gap between Hollywood and Nashville. From his mastery of the "New Nashville" sound on his 1972 album "Jesus Was a Capricorn" to his role in the 1974 film Alice Doesn't Live Here Anymore, Kristofferson has shown an agility that's hard to match.

A collection of rare outtakes and performances from Pennebaker's 1965 documentary Don't Look Back.

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

Essential excellent quality pro-shot compilation with five live recordings. 1) Hard Rain US TV Broadcast version, Fort Collins, May 23, 1976 2) Rejected TV Special, Belleview Biltmore Hotel, Clearwater, April 22, 1976 3) Renaldo And Clara unreleased concert footage, November/December 1975 4) Hard Rain Japanese TV version, Fort Collins, May 23, 1976 5) World Of John Hammond, WTTW-TV, Chicago, September 10, 1975

The grunge girl band "No Exits" is just about to get a record deal. At this time Jimmy is appearing again, the former boy-friend of the band guitarist Shelly. She had left him because his friend had raped her. But he doesn't know that - up to now. Shelly has fallen in love with the band singer Suzy in the meantime. But she still loves Jimmy, too. So she moves to him again, what Suzy doesn't like that all. Especially because she is becoming a feminist.

From the fall of 1975 to the summer of 1976, Bob Dylan took a happy gaggle of musicians out on a two-leg tour dubbed the Rolling Thunder Review. Live at Fort Collins, Colorado