Josefina Trotta

When the progress of robotics makes Paralympic athletes the new sports stars, Maria dreams of competing against her sister. For that, she will have to enter a world of crime and violence.

The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.

It starts like this: a beach, a cliff, a pine tree forest, and a house made of stone. In the house, Virginia wakes up startled by a nightmare, and in the nightmare we can see her cousin Anabel with a deathly pale face and traces of blood around her lips.

O Pastor e o Guerrilheiro is a Brazilian feature film inspired by a true story, which takes place in the 1960s and 1970s and at the turn of the millennium - in the last days of 1999.

No description available.

Two friends hit the road to Buenos Aires aboard an orange Opala 72, with a mission: be with as many women as possible. This is all a plan to wash the honor of "Caco", a man who found his girlfriend in bed with an Argentine.

The spiritual journey of a man with a debt that cannot be paid. In a Korean supermarket not too important, a small embezzlement is discovered. Luciano, a young man who works there, is pressured by the Koreans to return the money he stole in less than twenty-four hours.

A post-apocalyptic thriller set in near-future Brazil, where a select few are allowed to join a privileged society after undergoing an intense and competitive process.

A reporter for a popular newspaper and a criminal lawyer have their destinies linked by a murder that shocked Brazil in the 1970s and marked the beginning of the debate on femicide.

A film from the skater world of São Paulo, where it is women who call the shots. Bagdá is surrounded by self-confident role models in her family. However, outside on the streets, in the venues and clubs, the old machismo continues to dominate. Bagdá and her fellow comrades-in-arms confront it defiantly.

No description available.