
Adi Granov
Art
Biography
Adi Granov (/ˈɡrænəv/) is a Bosnian-American comic book artist and conceptual designer. He is best known for his painted work with Marvel Comics, for whom most of his comics work is produced, in particular his work on Iron Man. He is especially known for illustrating the story arc Iron Man: Extremis and for doing concept and keyframe artwork for the 2008 film Iron Man, a job for which director Jon Favreau personally selected him. Granov has also done concept work for the films The Avengers and The Amazing Spider-Man 2, has designed packaging for the DVDs and toys based on those properties, and has also done design work for video games. Description above from the Wikipedia article Adi Granov, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For

When Tony Stark's world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
Iron Man 3

When Steven Grant, a mild-mannered gift-shop employee, becomes plagued with blackouts and memories of another life, he discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. As Steven/Marc’s enemies converge upon them, they must navigate their complex identities while thrust into a deadly mystery among the powerful gods of Egypt.
Moon Knight

Natasha Romanoff, also known as Black Widow, confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.
Black Widow

An experimental serum called Extremis gets stolen, and Iron Man rockets into action. The ensuing battles test Stark's spirit and Iron Man's power.
Iron Man: Extremis

A seven-part "making-of" documentary covering pre-production topics like suit design and construction, storyboards, animatics, and pre-viz, sets, working in the suit, casting, rehearsals, and preparation, and the start of the shoot. From there we look at performances, locations and production design, stunts, hardware and practical effects, and various sequence specifics. Finally, the program goes through post-production at Skywalker Ranch, the titles and a few visual elements, and wrapping up the flick.
I Am 'Iron Man'

Documentary that examines the popularity of super-hero comic books.