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Robert G. Vignola

Robert G. Vignola

Directing

Biography

From Wikipedia, the free encyclopedia Robert G. Vignola (born Rocco Giuseppe Vignola, August 5, 1882 – October 25, 1953) was an Italian-born American actor, screenwriter and film director in American cinema. One of the silent screen's most prolific directors, he made a handful of sound films in the early years of talkies but his career essentially ended in the silent era. Born at Trivigno, in the province of Potenza, Vignola left Italy with his family at the age of 3 and was raised in upstate New York. He made his acting debut at 19 performing in "Romeo and Juliet", with Eleanor Robson Belmont and Kyrle Bellew. He began his film career as an actor in 1906 with the short film The Black Hand, directed by Wallace McCutcheon and produced by Biograph Company, generally considered the film that launched the mafia genre. In 1907 he joined Kalem Studios, for which he made numerous movies. One of Vignola's most notable film roles was as Judas Iscariot in From the Manger to the Cross (1912), directed by Sidney Olcott, one of the most successful films of the period. Vignola directed 87 films, most notably The Vampire (1913), sometimes cited as the first "vamp" movie, and Seventeen (1916), where Rudolph Valentino did an uncredited cameo. He had a long association directing the early movies of Pauline Frederick such as Audrey (1916) and Double Crossed (1917). His biggest success was the big-budget epic When Knighthood Was in Flower (1922), starring Marion Davies, which achieved critical and commercial acclaim. Other films include Déclassée (1925), with the uncredited appearance of the then unknown Clark Gable; Broken Dreams (1933), which received a nomination for Best Foreign Film at the Venice Film Festival, and The Scarlet Letter (1934), the last film of Colleen Moore. Vignola died in Hollywood, California in 1953. He lived in a mansion at Whitley Heights owned by William Randolph Hearst. Hearst's mistress Marion Davies was allowed to stay without him at Vignola's mansion, worried that she was having affairs and considering Vignola a trusted companion for her as he was homosexual. He was buried in St. Agnes Cemetery, Menands, New York.

Known For

Madame Jealousy

Charm and Valor fall in love and are married. Jealousy, however, is angry at their happiness and decides to ruin their marriage, so she arranges for Charm to find an old photograph of her husband's former sweetheart Forgotten. Valor is also led to mistrust Charm, and the two return to their respective parents: his, Finance and Display, and hers, Commerce and Pride. While Charm spends her days with Sorrow, Treachery endeavors to ruin Valor by luring him to a disreputable roadhouse, and when Valor's father tries to bring him home, the young man strikes his father with a bottle. The two sets of parents are in the midst of a financial battle when Charm gives birth to a child, Happiness. The child reunites the couple, and Madame Jealousy, along with her servants Mischief, Treachery and Rumor, finally are banished.

Madame Jealousy

1918Movie
The World and His Wife
9.0

Elderly Spanish nobleman Don Julian is happily married to Teodora, a beautiful young girl, when his protégé, young poet Ernesto, comes to live with them. Vicious gossip spreads false rumors of a love affair between the two young people and the evil Don Alvarez, the most bitter slanderer of all, goads Ernesto into challenging him to a duel. Don Julian, realizing that the youth is no match for one of the best swordsmen in Spain, forces the slanderer into a fight in which Don Alvarez is slain and Don Julian gravely wounded. Ernesto calls upon the dying Don Julian to convince him of his wife's innocence. Misled by his brother Severo, Don Julian believes the youth has come to visit Teodora, denouncing them both before dying, ironically driving Ernesto and Teodora from the house to face the world together.

The World and His Wife

1920Movie