Sérgio Santeiro

Jorge, an ambitious journalist, marries into money and betrays colleagues to become a powerful politician during political turmoil in 1946 Brazil.

A mad scientist attempts to bring an ancient Egyptian mummy back to life.

The tensions experienced by three different people during the military dictatorship in Brazil: a politician, a revolutionary and a common citizen.

No description available.

No description available.

Parable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.

It accompanies the manufacture of soluble coffee.

It is the magazine that continues the Modern Art Week of 22.

A short film that summarizes, in three acts, a portrait of Brazil: the constitution, the presidency, and capital – This is Brazil. The contradictions of a country divided between dictatorship and democracy are the focus of the production, which uses fiction to portray Brazil in the early 1980s. Divided into three acts, the short film analyzes the importance of the Brazilian Constitution, the power of capital, and the role of the poet in ambiguous times.

Based on the life of the player Afonsinho, who was banned from playing football for growing his beard and hair and refusing to cut them. Fighting for his rights, the player managed to become the owner of his own transfer rights, that is, he obtained a "free transfer". From this incident, the film examines labor relations in Brazilian football.

"Life and work of the Maranhense poet Sousândrade (1833-1902), illustrated with engravings on Brazilian history, from the discovery to the proclamation of the Republic."

"A view of São Paulo's rural architecture, from the remains of a sugar mill from the 1500s to a farm at the height of the coffee cycle in 1822. Documentary illustrating Morada Paulista, book by Luis Saia". (ACPJ/CCM)

Documentary about UFF on the occasion of the 15th anniversary of its foundation.

Set of carioca sketches.

No description available.

Gledson is a lonely worker who left his hometown with the dream of becoming an actor in Rio de Janeiro. Tormented by vague memories of his past, he sees his life change when he begins to write a book about Teresa, a prostitute who goes through death expecting a child and ends up on a fantastic island. When a friend of Gledson decides to turn his book into a film, reality and fiction mix: while Teresa has to decide what to do with the child born on the island and the writer deals with the challenge of becoming a creator, the film changes when the director confronts the experience of her own motherhood.

No description available.

In the face of images that are transfigured, inside a mushroom of an explosion already begun, the narration of a rude Latin American poem tells occurrences and impressions of the sixties, seventies and eighties in Brazil and Latin America, with some memory failures. The film was made from the technique of direct animation in the film.

No description available.

Prestes on May 1, 1987 at an event held by CUT in São Paulo.