Alessandro Riccardi

It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.

Goro, a criminal mastermind, plot to steal a massive cache of gold from the Rossini family. Unbeknownst to Goro and his soldiers of fortune, one of Rossini's guest is a highly trained foreign operative who fights to not only save the hostages and the gold, but his imperiled family.

A documentary recounting the stories that have characterized the personal and artistic lives of Sergio Martino and Ruggero Deodato, two filmmakers who have represented Italian genre cinema in the world, loved by directors such as Quentin Tarantino, Eli Roth, Tim Burton, etc. All this takes place in the setting of a typical Roman restaurant, where the two directors meet for a lunch based on "spaghetti alla carbonara". Pasta is a determining element in Italian culture and, like the spaghetti western, it will characterize our story.

When Nico returns from overseas to say farewell to his ailing mother, he discovers something monstrous is happening in the small town he once called home. As the list of grizzly murder victims begins to grow and the authorities fear the killer is a beast unlike anything they have ever seen, Nico senses a savage transformation within himself and uncovers the terrifying secret his family could never reveal.

A young couple revisit the location where they spent their honeymoon eight years earlier, in an effort to rekindle their troubled marriage. We watch as they navigate the beauty and the pain of love, culminating in a heartbreaking finale as truths are revealed.

After Sarah’s husband Albert dies in a domestic accident, she is given the freedom to move forward with her other lover Max. Soon Max finds something disturbing in Sarah's behaviour, and he begins to question if Sarah isn't the person she says she is? Max then mysteriously disappears, and Sarah’s orderly life is brought into chaos.

The mysterious disappearances of several children in San Lupo, in the province of Benevento, are throwing the population into chaos and terror. Some believe it could be a pedophile, while others believe it's a legendary witch, Janara, who was burned at the stake while pregnant centuries ago, thus casting a curse on the town and its inhabitants. It's against this backdrop that Alessandro and Marta, a young pregnant couple, arrive in town to deal with inheritance matters related to the death of Marta's grandfather. They will find themselves dealing with the disappearances much more intimately than they ever imagined.

"My Second Time" is a movie about the importance of choices. Every day, as we live, we face crossroads, more or less visible, that force us to choose: enter or exit, "yes" or "no." It's part of everyone's daily life. There are difficult choices, those that require attention, reflection, and time. And there are easy, immediate ones, which we respond to almost without thinking because "we like it." Choices of the mind and choices of the gut, we might say. Yet the common denominator of choices, whether easy or difficult, is the uncertainty of the outcome.

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An unlikely gang of new criminals decides to kidnap Jerry Calà with the aim of asking for a large ransom and turning their lives around. They will soon discover that things aren't exactly as they imagined. Friends Mara Venier and Umberto Smaila and their son Johnny intervene, playing themselves, but the turning point comes when Massimo Boldi himself declares himself willing to pay the ransom.

In Faenza, Italy, a dysfunctional family gathers for occasional dinners, and as untold truths are revealed, things gradually become rocky.

Dafne is a teenager who is depressed in her relationships with family and friends: closed curtains, her bed as her existential location, anger, macabre dialogue with herself, secret self-harm, loneliness, asthenia.