Harrison Ford

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

A chorus girl breaks a deal with her boss by marrying the rich man she was supposed to ruin.

It is 1774, the eve of the American War of Independence. Janice comes from a Tory household. She cavorts with American and British alike, is pursued by Charles Fownes, patriot and friend of General Washington.

The snooty Fernanda decides to leave Spain to visit her uncle in San Francisco in order to escape the attentions of the dandy, amorous Don Diego, but he follows her. She is rescued from a wild taxi ride by a passerby who owns a huge plumbing company. Believing him to be a common plumber, she snubs him, but he pursues her and a romantic rivalry is born.

A con artist masquerades as Russian nobility and attempts to seduce the wife of an American diplomat.

A Woman Against the World is a 1928 American drama film directed by George Archainbaud and starring Harrison Ford, Georgia Hale, and Lee Moran.

Cossack Anton Kazoff seeks revenge for the wrongs inflicted on his sister Olga.

Marcia, a pretty young girl, goes to work as a model for a lecherous dress-shop owner. She resists his advances, despite his giving her expensive gifts. One day Mrs. Reilly, a prominent society woman and a customer of the shop, invites Marcia to a party she's throwing. Marcia winds up impersonating a famous writer in order to impress a "duke" for Mrs. Reilly, who doesn't know the "duke" isn't really a duke. Complications ensue.

A young couple making plans to elope are overheard by a jewel thief, who sees a chance to turn the situation to his advantage.

Young Jack Wright offers his hand in marriage to the winner of a lottery, but after committing to the winner falls in love with another woman.

Ottilie Van Zandt is forced to wed her cousin, despite her love for Richard Wayne, the gardener's son. Richard leaves, vowing to return a wealthy man and eligible suitor for her. He returns to find she has already married and, in turn, marries another girl on impulse. Two generations later, the grandchildren of Ottilie and Richard, who both have inherited their names as well, meet and develop a close friendship that culminates in the romance that their grandparents began but could not consummate years before.

She was a very modern young woman, was Miss Hobbs. Her ideas were about fifty years ahead of time. For one thing she hated men, thought them all brutes. But love has a way of smashing such an idea. Then she went in for barefoot dancing, futurist art and other advanced notions. Well, the upshot of it was the young man took upon himself to tame her, to make her a regular girl.

Sandy McNeil adopts strictly unconventional jazz ethics and against the wishes of her parents runs with a fast young set. An auto breakdown after a party places her in a compromising situation, and she grudgingly marries a wealthy suitor of her father's choice. When her husband's cruelty results in the death of her child, she leaves him and meets Ramon, an architect with whom she becomes infatuated. The return of his former mistress causes her to seek refuge with her cousin Judith, where she falls in love with Douglas, Judith's sweetheart. As Sandy refuses to return to Ramon, he shoots her and then kills himself. Douglas, taking the blame for her sake, is tried for murder, but Sandy rises from her sickbed and confesses in court; she succumbs after restoring Judith to Douglas.

Jane Coleridge and Peter Jamison are a pair of small town sweethearts. She's an old-fashioned girl and he's timid, but he manages to get up the nerve to propose and asks her to run away with him. Unfortunately, around the time Jane's supposed to meet him at the station her father dies and she has to take care of her brothers and sisters. Jamison believes she loves someone else and disappears for several years. When he finally returns, he has a three-year-old child in tow. But he explains that his wife has been unfaithful and he and Jane renew their romance. Then wife shows up and causes trouble by claiming that Jamison left her for Jane.

A 1921 film directed by Herbert Brenon.

After many outrageous moments, a young girl marries her former acquaintance, not with her fiancee.

Suzanne Ercoll, a young widow who believes in women's suffrage. When the handsome Foxcroft Grey proposes marriage, Suzanne isn't sure she wants to give up her freedom, so she strikes a deal: From Saturday to Monday they will be husband and wife, but the rest of the week, she is single.

Rose Jorgenson, a poor tenement dweller who lives with her daughters Rose and Norma in a slum and whose husband is in prison, finds out that he is to be electrocuted. Distraught, she commits suicide. The children are adopted--Rose by the wealthy Judge Keith, who brings her up in the lap of luxury, and Norma by a poor neighbor, who raises her in the squalid tenement she was born in. After they reach adulthood Norma is hired as an assistant to the shady hypnotist Caistro, who also knows Rose and notices the strong resemblance between the two. Complications ensue.

An unscrupulous broker discovers his hated business rival has secured a valuable option in Brazil and determines to delay the latter in New York until it expires. He uses a cabaret dancer to use her wiles to keep him there.

An innocent country girl who happens to have a lovely singing voice falls under the influence of a ruthless Broadway producer. At first she's dazzled by the producer's surface charm as well as those bright lights the title refers to, but eventually gets a dose of reality