Winifred Greenwood

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

An early version of the classic, based more on the 1902 stage musical than on the original novel.

Feuding ranchers and sheepherders.

Young Jack Wright offers his hand in marriage to the winner of a lottery, but after committing to the winner falls in love with another woman.

Walsingham Van Dorn has a fancy name but no money until he inherits 40 million dollars from a pair of wealthy, but wicked, uncles.

George MacFarland, a wealthy young man who loves adventure, bets his friends Thornton Brown and Arthur Sole $20,000 that he can commit a crime and elude the police for a year. After he forges a check, George heads West and does escape arrest for nearly a year, despite the proliferation of police circulars bearing his name and his favorite expression, "Believe me, Xantippe." In a Colorado hunting lodge, he meets Sheriff Kamman's pretty daughter Dolly, who recognizes and tries to arrest him. According to the terms of the bet, however, he must be captured by a genuine officer of the law, which Dolly is not.

Ida Price has been cheated out of her share in her father's estate by her cousin Charles. She puts the appeal of the case in the hands of Judge Clark and his assistant Robert Graham. Charles tries to compromise with Ida, but she stands firm. He resorts to attempting to get the judge tipsy and delay the verdict. He fails, the former decision is reversed with Ida receiving her fair share and incidentally a husband in Robert Graham.

At the palatial home of a merchant the latter's wife entertains her husband's friends. The guests have all departed save one, the husband's most intimate and trusted friend. That this man should abuse the confidence of his friend and attempt to force his attentions upon the wife was a thing the merchant deemed little call to fortify against.

Richard Thorn, a wealthy young man who returns from Africa after his father's death to manage the family estate. While at the train station, he hires a taxi driven by Davis, a disgruntled man who envies Thorn's wealth and lifestyle. The story explores the contrast between the wealthy Thorn and the resentful Davis.

Jack Trevor, an automobile salesman who takes the place of the recently deceased heir, Horace Barney, after a train crash. Trevor, who has a striking resemblance to Barney, finds himself at the mansion where he falls in love with Barney's cousin and rightful heiress, Helen. He must then expose the fraudulent scheme of Barney's guardian and his accomplices to save the estate and win Helen's love.

A group of boys are playing baseball on a playground, and one of them hits the ball over the fence, breaking the window of a house belonging to a professor. He calls in a repairman, who arrives to fix the window and is admitted by the professor's pretty maid. Attracted to her and wanting to see her again, after he fixes the window he sneaks back to the house that night and breaks it again, hoping she'll call to have him come out and fix it. She does, but it doesn't turn out exactly the way he had hoped.

M'liss, a feisty young girl in a mining camp, falls for Charles Gray, the school teacher. Charles is implicated in a murder of which he is innocent, and the two must fight to save him from a lynching.

Following a cattle roundup, rancher Burton provides a holiday for his cowboys. During the celebrations, they entertain Margaret with daring feats of horsemanship for "local color" for her story. A love triangle unfolds during the festivities. May, the rancher's daughter, grows jealous of the attention Charles gives Margaret. In a moment of anger, May agrees to elope with Jack. The subsequent publication of Margaret's book, helps the couple on the ranch understand their own love story.

The sensational crux of jealous revenge in "The False Order" is a head-on collision of two enormous locomotives. A realistic effect that heavily discounts any stage device ever materialized to thrill.

Rose Jorgenson, a poor tenement dweller who lives with her daughters Rose and Norma in a slum and whose husband is in prison, finds out that he is to be electrocuted. Distraught, she commits suicide. The children are adopted--Rose by the wealthy Judge Keith, who brings her up in the lap of luxury, and Norma by a poor neighbor, who raises her in the squalid tenement she was born in. After they reach adulthood Norma is hired as an assistant to the shady hypnotist Caistro, who also knows Rose and notices the strong resemblance between the two. Complications ensue.

When showing a woman customer some ranch property, real estate agent John Weems's car is disabled by a terrible storm, and he and his client are forced to take refuge in a roadhouse. Weems's wife Constance finds out about her husband's adventure and, bored with her marriage, determines to file for divorce. Constance calls upon Reginald Jay to testify about the roadhouse incident, and Jay, reluctant to testify, feigns illness and is hospitalized, promptly falling in love with one of his nurses.

Carlotta Peel, who though sheltered from the facts of life by her Victorian aunt has acquired some knowledge from indiscriminate reading, meets Diaz, a celebrated pianist, at a concert and spends the evening with him. Later, in London, she acquires fame as a novelist and is followed to France by married publisher Frank Ispenlove, who commits suicide when she spurns him. In Paris, Carlotta finds Diaz a physical wreck from drinking absinthe and devotes herself to his regeneration.

In the dry west, Louise MacLeod works as a secretary for Robert Powell, a lawyer defending businessman John Phelan, whom the ranchers accuse of monopolizing water rights. Louise's father, Gordon, is one of the ranchers, and so Louise keeps him informed of Robert's strategy, resulting in the ranchers winning their case.

Dick Carew, the son of a soap-maker, and Dorothy Wilton, the daughter of a lawyer, meet in Paris, where they have gone from America to imbibe an atmosphere sicklied with artistic buncomb by the Cubists. The young man, visiting a cabaret, the meeting place of frowsy post-impressionists, is impressed with their windy theories, mainly denunciations of everything that common sense and decency understand. Dick is just ignorant enough about art to be impressed with this buncomb, and takes Dorothy to the Cubist.

A sorrowing mother, bereft of her infant, visits a foundling asylum and adopts a baby girl. The young window lavishes her love and care on the adopted infant and her environment is the finest. Father Time present the baby with an hour glass containing "The Sands of Time" which are all in the upper part of the glass.