Erik Baeza
Directing
Known For

Worlds collide when a vengeance-obsessed young woman from the other side of the tracks captures the attention of two well-off friends.
Rosario Tijeras (Mexico)

No description available.
Supertitlán

After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.
We Are What We Are

It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.
Colosio

Marcelo feels he's found the incarnation of his favorite superhero in Julio, his troublesome and eccentric neighbor whose biggest dream is to become a porn star, but Mrs. Martha, who still treats her son Marcelo like a kid, will never permit such a relationship to flourish. Emotionally disturbed, she will try to protect the only thing she's got left in the world: her son.
Marcelo

In the plains of Durango, the old west town still exists where Mexican and foreign westerns used to be filmed. Old Antonio takes care of the place. One day, Gabriel Navárez, a 13-year-old boy from a small nearby community, secretly gets into the old west town and discovers a fascinating world.
Once Upon a Time in Durango

We are Nivi Savi, rain people, Mixtecos; a people that disperses like the clouds and every year returns to earth to continue to flourish the memory of their ancestors.
Ñuu Kanda (Move)

From the communal future, a woman recalls the words of her ancestors, women warriors who gathered to record their words about community service. At the same time she questions her own future: Will we ever stop fighting? Does anyone care what we say?
Leave What Scares You

José Alfredo Jiménez is a cab driver. His friend Reinaldo Cruz (a fascinating, most endearing, one-of-a-kind character) is a shoeshiner. Both live on the outskirts of Mexico City and share a dream: participating in the “jaripeos”, this is, in those rodeos where bulls are ridden. The experience they have in these matters is non-existent and, nevertheless, they challenge some scary pros.
The Wild Gang

After his father's death, the Digital Man prepares to create the usual erotic content for the paid platform. A scheduled appointment with a subscriber client, makes the pain of the recent loss take refuge in the story of the other during the awkward encounter.
Hombre Digital

The legend of an ancient tree that gave birth to Yosonuviko, the cloud people, reenters the collective memory through the ancient language of rain, Sa’an Savi, evoking the fragility of the human condition amid nature’s immensity. A metaphor for life over time that reminds us of the importance of coexistence with nature.