Sophie Cohen

The Ysbreeker family -- mother Jolien, father Frank, daughter Roos and son Teun -- are enjoying their annual holiday on a camping site in France. Teun is at the beginning of his puberty and can't quite control his hormones. Roos, a teen girl in the middle of her puberty, is more interested in her first camping love than in her own family. Teun notices that his sister is becoming a woman, in all different ways. How does he react? Does it have any influence on the brother-sister relationship?

Dummie realizes that he is not as famous as his father, an ancient pharaoh, so he decides to rely more on himself and enters a special contest with the help of his best friend.

We open this tale with the sight of a bloodied, handsome well-to-do man, staggering around East London. We close the film enjoying the rare glimpse into the everyday backstage camaraderie of women who strip for a living. What lies between is a whodunit without the traditional victim or perpetrator. If there is a perpetrator, it is masculine entitlement fuelled by ridiculous ideas about female bodies. The only real victim of this film is the traditional easy trope of sensationalised violence against women and our persistent societal dishonesty about sex work.