Lewis D. Collins

Johnny Mack Brown goes up against a lady bank robber in this average Mack Brown series late-entry from Monogram. The lady, played by Barbara Allen, is of course called "Ma." In order to get the goods on "Ma" and her "brood," Mack Brown must masquerade as a lone bandit.

A young man builds a hot rod despite the disapproval of his father, a Juvenile Court judge. Circumstantial evidence points to the innocent teenager when his car is involved in a hit-and-run accident and he must reconcile with his father.

The tale of Clint Farrell, an aspiring lawyer who must use both his wits and his brawn to save his town from being taken over by a villainous railroad financier.

When a plane carrying the daughter of a millionaire crashes in an African jungle, two pilots set out to collect the reward. They discover that she has become the goddess of a primitive tribe. An insurgent witch doctor and fierce wild animals make escape from the jungle difficult for the trio.

Mike Martin becomes a deputy marshal and takes on a gang of cattle rustlers.

Jeanne, a high school girl, dumps her dull boyfriend Larry for Nick, a local thug and hot-rodder she finds exciting. Nick terrifies everyone with his dangerous and reckless driving, but that only turns Jeanne on even more. Until one night, zooming around the countryside terrorizing motorists, Nick and Jeanne smash into another car...

A new inmate at a juvenile reformatory tries to organize a mass breakout.

As was customary in his late Monogram westerns, Johnny Mack Brown plays an undercover agent in Colorado Ambush. Brown is sent to Colorado to stem the activities of a particularly vicious outlaw gang

In this mystery, an insurance investigator must find the arsonists behind the burning of a warehouse. The detective does get some good photographs as evidence, but they are stolen from his apartment. He really isn't a great sleuth and winds up accusing everyone but the real culprit of the crime. As a result, he loses his job and must perform the investigation on his own.

A woman plots to steal secrets from her Atomic-expert husband.

The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.

Red Ryder gets a telegram from his old friend Dan O'Connor asking for help in his fight against Faro Savage and his gang of rustlers. A gun dropped by Faro during a rustling raid makes Red and Sheila O'Connor, Dan's daughter, think they have ample proof against Faro but they are stymied by the law. Buckskin Blodgett and the Duchess, Red's aunt, find the body of O'Connor who was killed when Faro's men sent the sheriff out on a ruse. Sheila, discovered while rifling Faros office for evidence, escapes but not before she is recognized. Faro kills one of his own henchmen and then frames Sheila for the murder. Red and Little Beaver set out to clear Sheila and to try to find evidence against Faro and his gang. Written by Les Adams

A carnival sideshow dancer falls in love with a handsome young man.

Government Agent Conway, posing as a crew member of a ship, is investigating the flood of counterfeit money that seemingly is originating for a gambling ship, moored off-shore beyond the three-mile limit and operated by gangster Dave Reeves.

In time-honored fashion, a couple of supporting players -- George Dolenz and Bill Kennedy -- found themselves elevated to starring roles in this minor Universal serial. They played Royal Canadian Mounted Police officers investigating the murder of a miner. The story, of course, was less important than speed and action, which directors Ray Taylor and Lewis D. Collins delivered in typical slap-dash Universal style. Starlet Daun Kennedy did not make much of an impression as the imperiled leading lady, and former star Robert Armstrong (of King Kong fame) was wasted in a subordinate role. Rondo Hatton, a non-actor whose grotesque appearance (caused by acromegaly, the so-called "Elephant Man" disease) was tastelessly exploited by Universal in the '40s, appeared as one of the outlaws.

Whip is surveying land for a railroad but a land baron and one of his daughters stands in the way.

A respected war correspondent is found murdered, with three bullets--from three different guns--in him. Three different men are arrested, convicted and sentenced to death for the murder, but only one can be the actual killer. A criminologist sets out to find who is really guilty.

Jim Bannon is back as enduring cowboy hero Red Ryder in Eagle-Lion's Roll, Thunder, Roll. As ever, Ryder's cohorts are Little Beaver and the Duchess, here played by "Little Brown Jug" and Marin Sais. This time, Ryder tries to prove that a series of cattle raids and ranch fires were not the handiwork of masked Mexican do-gooder El Conejo.

Gunfighter gets hired at sheep ranch to help fight the cattleman and his gang. In the gang is the man who raised the gunfighter and taught him how to shoot. They both hope they will not have to face each other when the showdown comes.

Kate Flannagan and Belle Dugan operate a downtown coffee shop and, while dispensing their locally-famous doughnuts, engage in their favorite pastime, friendly quarreling between themselves. This changes when Belle suddenly becomes heir to a small fortune which allows her to crash high-society and make her daughter,Joan, a débutante. This creates a rift between the two former partners, with the result that the proud Kate refuses to accept her friend's good fortune nor allow her son, Jerry, who is in love with Joan, to do so.