Lupita Tovar

A group of adventurers head deep into South American jungle in search of an ancient Incan treasure.

Drifter Cole Harden is accused of stealing a horse and faces hanging by self-appointed Judge Roy Bean, but Harden manages to talk his way out of it by claiming to be a friend of stage star Lillie Langtry, with whom the judge is obsessed, even though he has never met her. Tensions rise when Harden comes to the defense of a group of struggling homesteaders who Judge Bean is trying to drive away.

The story narrates the idyllic and tragic love between María and her cousin Efraín, both natives of Valle del Cauca. In the middle of a romantic and bucolic landscape, the young characters fall in love with each other but circumstances prevent the full realization of their love.

An investigator checks into the rumors of harsh working conditions on an Amazon rubber plantation.

Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipólito.

Cornell employs clips from 1931's jungle melodrama East of Borneo – more specifically, clips of its lead actress, Rose Hobart – to disquieting effect. Through Cornell's collage editing, Hobart becomes a singular object of desire and dread, trapped in an exotic paradise.

This is an early film from Director Gilberto Martinez Solares, who would go on to become better-known for his unique perspective on horror films of the 60's and 70's - like "Santanico Pademonium" "Face of the Screaming Wolf" and his own "House of Terror", (these features, in turn, would inspire future award-wining Directors such as Tarantino and Del Toro). As far as Resurreccion goes, it is a semi-historical Drama, based on Leo Tolstoy's novel also titled "Resurrection" . However, Solares' movie loosely uses the start of the 1910 to 1920 Mexican Revolution as its cornerstone, (instead of the Russian battle that Tolstoy relied on for his 1899 literary work ). It essentially documents one man's effort to find redemption for his past sins. It stars actors Emilio Tuero, Lupita Tovar, Sara Garcia and Jose Pulido, among others.

A British estate agent travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a London castle. After Dracula enslaves the agent and drives him to insanity, the pair return to London together, where Dracula, a secret bloodsucker, begins preying on socialites.

A documentary about the era of classic monster movies that were made at Universal Studios during the 1930s and 1940s.

This is the Spanish-language version of Ten Cents a Dance (1931), shot concurrently with a different cast but the same director, Christy Cabanne (as "Wiliam Cabana"), and also Mexican director Eduardo Arozamena.

A simple peasant is forced to take up arms to defend his farm during the Spanish Civil War. Along the way he falls in love with a Russian girl whose father is involved in espionage.

Two Marines are sent to South Sea island where they fight over a local island girl.

Documentary about the presence of Latin American culture and actors in American movies.

A criminal psychiatrist investigates the murder of a two-time widower.

Mimi, an unsophisticated American girl attending an exclusive Swiss boarding school, unexpectedly inherits a large fortune. Returning to the United States she quickly begins to live a wild and reckless life. Good-natured Joe attempts to set her straight, but she keeps right on living riotously. It takes Mimi a serious accident while joyriding to comes to her senses and realize she is ready for a more settled existence.

A federal agent and his partner hang out in Mexico to check a revolution.

An agent of the anti-drug brigade is captured and ends up addicted to marijuana, which causes him to enter the mafia.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

A notorious outlaw is recruited by a cattle buyer, secret boss of a gang of cattle rustlers, to impersonate the town sheriff, who is the outlaw's twin brother; and complications ensue, as the sheriff, now a hostage, is on the eve of his marriage while the outlaw's cantina-dancer girlfriend has followed him to town and is at risk of exposing him.

Don Diego is a large ranch owner, the uncle of Dolores and the guardian of a young American, Steve Randall. Steve has just delivered a large herd of cattle to the ranch, where Don Diego has just found out that he must pay the local tax commissioner, Harkness a fine for unpaid taxes on a herd of over one-thousand cattle. Steve offers to drive the cattle to the commissioners office, even though he fells the fine is unjust. Arriving at the office, Steve learns that Harkness (who he has never met), who has a reputation for dishonesty, is out. Dropping by the cantina, Steve gets into a fight with Harkness, and Harkness swears vengeance on Steve, especially after Steve stampedes the cattle through the town.