Ólafur Eliasson

Monte and his daughter are the last survivors of a damned and dangerous mission to deep space. The crew—death-row inmates led by a doctor with sinister motives—has vanished. As the mystery of what happened onboard the ship is unraveled, father and daughter must rely on each other to survive as they hurtle toward the oblivion of a black hole.

Step inside the minds of the most innovative designers in a variety of disciplines and learn how design impacts every aspect of life.

An alternative history of the British Isles, told through art. Looking at 1,500 years and eight dramatic turning points, acclaimed artists and thinkers encounter key historic art works from across the UK that have shaped the history of the British Isles and inspired their own work.

MasterClass is a documentary television series airing on HBO. Each half-hour episode documents the experience of a small group of young artists working with a famous mentor. The series premiered on HBO on April 18, 2010 with opera star Plácido Domingo working with three aspiring young singers. The students in the program are chosen from participants in the Miami-based organization, YoungArts, a program of the National Foundation for Advancement in the Arts, which supports emerging artists. The series is produced and directed by Karen Goodman and Kirk Simon of the Simon & Goodman Picture Company. The Executive Producer is Lin Arison. In July 2011 the series was nominated for a Primetime Emmy Award for Outstanding Children's Nonfiction, Reality or Reality-Competition Program in 2011.

In 2014, artist Olafur Eliasson and filmmaker Claire Denis connected for the first time to explore and discuss their common fascination with phenomena that have not yet been fully explained by science – such as black holes – and their shared interest in abstraction. This short film by Denis, contemplating tests for Eliasson's work ‘Contact’, is one outcome of that conversation which would eventually lead to their collaboration on Denis's film High Life (2018), in which Eliasson designed the light installations at the films end.

Sending a burning arrow into the stunting effects that the compartmentalization of culture has on how creativity manifests, visual artist Doug Aitken embarked on an experiment exploring a less materialistic and more nomadic direction of art creation, exhibition, and participation. Station to Station involved a train that crossed North America housing a constantly changing creative community including artists, musicians, and curators, who collaborated in the creation of recordings, artworks, films, and 10 unique happenings, across the country.

Staatsoper Berlin’s new production of Rameau’s tragédie lyrique, directed by Alletta Collins; featuring costumes, sets and lighting designed by Ólafur Eliasson; and musical direction by Simon Rattle, who makes his debut with the Freiburg Baroque Orchestra.

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An exhibition view film for Unreal City, a new public augmented reality art exhibition in London organised by Acute Art and Dazed Media. 36 digital sculptures are arranged as a walking tour along the Southbank and river Thames. Artists featured: Olafur Eliasson, Tomás Saracena, KAWS, Alicja Kwade, Darren Bader, Nina Chanel Abney, Cao Fei, Koo Jeong A and Bjarne Melgaard.

What is it that makes a space productive? What makes it challenging? Exiting? Including? Tolerant? Olafur Eliasson: Seeing Space is a portrait of one of the biggest and most influential artists of our time. The film follows the both speed-talking academician and shy artist from 2004 - 2009 trying to understand the implications of Olafur and his mission: creating installations that changes the space around us and thereby the mindset in us.

Olafur Eliasson has been pushing the limits of the sublime and the spectacular in his art for almost 30 years. From his monumental installation, The Weather Project, in Tate Modern's Turbine Hall in 2003 to his recent interventions in climate change and global migration, his is an art which strives to change the world every step of the way. In 2019, the Danish-Icelandic artist returns to Tate Modern with his landmark exhibition, In Real Life, surveying the breadth of his career from his beginnings as an art student in Copenhagen through to the latest pieces created in his vast studio laboratory in Berlin. Much of his work is shaped by his response to his parents' home country of Iceland and the interplay of water and light showcased in its natural phenomena.

The short film composition, created together with UK-based music producer Koreless, combined over 150 field recordings of local animals who depend on the health of the Great Salt Lake, including hundreds of species of birds, amphibians, insects, and mammals. Drawn from existing archives as well as new recordings made for the project, the nature sounds have been mixed and translated into a musical composition that differs greatly from how the sounds would be encountered in the wild. The non-human voices are amplified and arranged into rhythmic beats to appeal to the human audience, so that they might perceive the lake in a new light and recognize its vulnerability. The film was projected as part of an art installation in downtown Salt Lake City, Utah, in March and April, 2026.