Berta de la Dehesa

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Yo soy Bea is a Spanish television comedy-drama series which aired on Telecinco from 10 July 2006 to 16 August 2009. The series is an adaptation of the popular Colombian telenovela Yo soy Betty, la fea. Ruth Núñez played the title role of Beatriz "Bea" Pérez Pinzón and Alejandro Tous played Álvaro Aguilar, Bea's love interest. Yo soy Bea translates to "I am Bea"; it is a pun, with "Bea" sounding like bella, meaning pretty, and like fea, meaning ugly. The Spanish adaptation screened weekdays during the daytime and pulled in, on average, over four million viewers. The series' record is a 42,1% share. It was Spain's top rated daytime programme.

When the founder of Torregrosa Funeral Home dies, his scheming right-hand man is poised to take over the business. But the owner's widow has other plans.

Óscar turns thirty on New Year's Eve with his life almost solved. Ana turns thirty on New Year's Day with her life still unresolved. They meet, fall in love, and begin a relationship that will last ten years.

A coming-of-age tale charting the first loves, lusts and obsessions of friends on vacation at the end of the 1970s.

Three students are sent by their families to Cadiz in 1965, his last chance to pass and become what is expected of them. The appearance of some dancers disrupts their commitments: boys lose the course and girls, their work. But together they learn to decide their future.

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A gambler and his victim are going to play a game, betting fifty euros