Ion Ioachim Stroe

The film investigates the adventures of mountain climber and photographer Adam J. Winkler, who fought in Afghanistan with the Mujahideen against the Soviets in the 1980s. The director employs a highly original artistic technique involving animated collage of period materials.

American professor Robert Traum embarks on an adventurous and amusing journey through Bucovina to find Sami the projectionist, the only person alive that can tell him anything about his Romanian Jewish descent. His symbolic journey is filled with danger, the unknown and the surreal, but finally rewarded with a double love: on the one hand he finds romantic love, on the other the passion for old cinema, nomad, popular, naive and generous.

A taciturn Romanian divorcee acquires a hunting rifle and initiates a killing spree.

Follows the story of Viktor Purice - manager, former projectionist and lifetime cinephile and his two loyal employees, Cornelia & Lorena, in their everyday battle to preserve Dacia Panoramic Cinema in Piatra Neamt - one of the last remaining cinemas in Romania today. Having lived through "the golden age" of cinema, Viktor dreams of bringing back the good old glory days, yet struggles to keep up with the new harsh reality. In a theater that lacks heating and is slowly falling apart, with no support from the State who owns the place, it’s almost a Don Quixote fight.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

A young man trying to solve the puzzle of his father's last moments rattles the life of a quiet town and unburies unwanted truths. His compulsive quest becomes a downward spiral of love, lust and lies.

After a year away for work, a husband spends his first night back home trying to reconnect with a wife who seems more distant than he remembered.

How do seven young people, former street children from Romania, get to see the Pacific Ocean? On 1 December 2008, a Romanian national team participates for the first time in the Homeless World Cup in Melbourne, Australia. The film follows the team from the formation of the squad to the end of the championship. The young people are from Timisoara and Arad, runaway children who now live in abandoned houses or who have managed to get a job and live in rented accommodation after going through orphanages or prisons. After taking a beating from many teams, the young Romanians manage to beat the USA. They are happy. They are all thinking of never going "home" again. It's warm and nice here, the people are nice. "In case I stay, I kissed you all!" says one of them cautiously. But after taking pictures of themselves on the beach with the ocean behind them and beautiful girls by their side, the seven return to Romania and get on with their lives.

The documentary follows and underground benevolent network of people who are buying chemotherapy drugs abroad and transporting them to Romanian patients, since in Romania chemotherapy drugs are not available.

In a small village in the Danube Delta, where traditions are confronted with new material purposes, a teenage girl is becoming a woman. This is the story of Ryna, a 16 year old girl, working as an motor mechanic in Sulina, who strives to find her identity next to a father who is firmly denying her femininity.

A long time married couple comes to decide within 24 hours, through encounters with strangers, that letting go might be their biggest proof of love.

In a seemingly easy theatre exercise, Rebeca, a young Roma woman, student at an elite acting school, is pushed to confront her biggest fear.

The film tells the story of one of the oldest circus families in Romania, descendants of the Globus Circus founder, Toma Zdebschi. Mina and Carol have been married for 55 years. They were both circus artists. Mina is 75 and Carol is 84.

Sporadic gunshots echo among the ruins of a village which, though abandoned, is an objective of great import for the Romanian government. This forces two young men to lead a hard negotiation, both for the fate of the settlement and for their own future.

An epileptic director trying to make a film about the life of famed Romanian actor Elina Löwensohn discovers that her real-life subject bears little resemblance to the star she idolized.

Stefan, the only surgeon available, takes on one final patient after working a 31-hour shift. In what should have been a simple procedure the 8-year old boy dies on the table. In this powerful short, the corrupt Romanian health care system is put under close scrutiny upon the backdrop of sorrow, payoffs and threats.

This is Emil’s story, the man who doesn’t believe in ghosts, and his best friend, Titi. The plot unfolds in a remote hamlet, a place looking like a slice of heaven. However, the story begins at the 40-day memorial service for Smaranda, the late wife of Emil. Days pass by, and Emil realizes that Titi looks like his days are numbered. He wants to brighten him up, but nothing helps. That’s because 40 days after her death, Smaranda moves into Titi’s house and starts haunting him.

Every year on August 29 ("since the world and the earth", says a local in the film), the village of Nisipuri is celebrating: there is a bâlci whose spirit has gone all over the south of the country. The locals are very proud of their town, at least until they come to the comparison of the past with the present, when the balance inevitably tilts in favor of the former term. The documentary captures—through hand-held footage and long shots (let's not forget that the cinematographer is Andrei Butica)—the day before the big day, the preparations, the actual event, and... the breaking of the fair.

While people in Western Europe were used to choose between hundreds of brands, the communist Romanian used to have a different experience: all our life we lived with only one brand for each basic product. Imagine the importance that this 'mono-brands' could acquire for the lives of those who made them and for the lives of those who consumed them. A love story between man and object.

A woman needs to urgently drive her terminally ill father from a German clinic back to Romania. When at the border, she can’t go further.