Haruka Igawa

Mike Hama, Private Detective, is a chain-smoking, wisecracking tough guy with a weakness for the ladies and a soft spot in his heart, especially for his kid sister Akane. Mike's so down on his luck he'll take any case, from finding a lost pet to spying on cheating spouses. But every now and then, along comes a client with dubious and dangerous case… and that's when Mike shows his stuff.

In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.

The 74th NHK Asadora Drama is Junjo Kirari, which means something along the lines of "pure-hearted Kirari." The story is set in Okazaki City, Aichi Prefecture in the era around the Second World War. When the story opens in 1928, the heroine, Sakurako, is a very active seven-year-old girl. Indeed, even in the first episode she exhibits her confidence and enthusiasm. But above all else, Sakurako is interested in becoming a jazz pianist, and music features extensively in the plot.

Hanzawa Naoki works as a loan manager at the Osaka Nishi branch of Tokyo Central Bank. One day, Hanzawa makes a loan contract for 500 million yen with Nishi Osaka Steel Company. Hanzawa didn't want to approve the loan, but he had to due to the branch manager's order. Nishi Osaka Steel Company seems financially stable, but the company actually hides massive amounts of debt through fraudulent accounts. The company is caught. Three months later, Nishi Osaka Steel Company goes bankrupt. The bank's branch manager is Asano. He is an ambitious man and tries to shift the blame to Hanzawa. Hanzawa then attends an inquiry about the loan failure at the bank's headquarters in Tokyo. Hanzawa denies fault and promises to retrieve the 500 million yen loan. He did this because it's the only way for Hanzawa to survive as a banker.

Nagumo Shuuji, a social studies teacher at Mie Prefecture’s Etsuzan Senior High School, was a former baseball player up until university when he quit after sustaining an injury. Thereafter, he worked as a sports trainer but returned to university at 32 years old in order to pursue his dream of becoming a teacher. However, his peaceful daily life goes through a change after he’s appointed to be the advisor of his school’s baseball club that is on the verge of abolition.

Satoru Matsudo moves to Tokyo in hopes of becoming an actor. He has trouble breaking into the industry, but his luck begins to change when he finds an airplane ticket belonging to a talent agency CEO. Time passes, and Satoru makes a name for himself as an actor. He gets a call from America. Hoping it is a Hollywood offer, he instead hears about his estranged older brother.

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Fumi becomes Genzui Kusaka’s wife. During the turbulent times of the closing days for the Tokugawa shogunate, she lives positively and tries to keep up Shoin Yoshida's will. Shoin Yoshida is her older brother and intellectual.

A long-running NHK investigative strand that revisits headline-making unsolved cases with a hybrid of docudrama and documentary, drawing on police files, journalists’ notes, and new interviews to surface leads and lessons.

Parliamentary secretary Toru Washizu (Tsuyoshi Kusanagi) has devoted 20 years of his life to Kosuke Inukai, a member of parliament and cabinet minister. Toru works behind the scenes as Inukai's "shadow," deftly handling the petitions of Inukai's supporters and crushing any hint of scandal. Cool and collected, Toru rarely betrays emotion and would humble himself to anyone to get what Inukai needs. But then a shocking event changes everything. Toru's only son, Taiki, is gravely injured in an accident that leaves him close to death. Toru is stricken with worry and fear for his son, but Inukai orders him to conduct a cover-up. Feeling betrayed, Toru, who once would have done anything for Inukai, begins to question everything.

Rosuke Narumi works at a trading company and he is pretty good at his job. He dates Satoko Matsubara. The trading company has a business relationship with a private high school experiencing some difficulties. One day, Rosuke Narumi is appointed as the principle of the private high school. Rosuke Narumi soon discovers how different the work environment is from his previous job. So the school can run in the black, Rosuke Narumi implements cost cutting measures. School staff members including Chihiro Mashiba oppose his plan.

Kensho Aoto reunites with Yoko Sudo, whom he had feelings for in junior high school, for the first time in 35 years. On the second floor window sill of a small apartment. Yoko was leaning against the window and looking up at the moon in the night sky, then Kensho was watching her from outside. Kensho “What were you thinking back then?” Yoko “...Something like a dream. Just about something like a dream.” The two of them are naturally attracted to each other for the first time at the age of 50. They eventually start talking about the future...

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.

Two brothers become police officers to hunt down their parents' killer, who escaped justice by just two days before the statute of limitations was abolished.

This year marks thirty years since the Great Hanshin-Awaji Earthquake, and four stories that are based on Murakami Haruki’s exquisite short series about the people ‘after the quake’ are adapted into dramas featuring star-studded casts.

After her mother dies, Kyoka moves in with her father, Rintaro, who begins to obsess over finding spouses for himself and his daughter.

A consultant who has a superhuman sense of smell and assists in solving cases by smelling the scents left behind at crime scenes. He usually lives with a nasal plug, but once he removes it, and takes one sniff with his keen sense of smell, he will know the person’s age, gender, what he or she ate and even lifestyle. Besides investigating cases, he is researching whether people’s emotions have scent too. He has a daughter with Katayama Megumi.

The basis for the drama is the novel “Kashikogi” by author Cho Chang-in, which has sold 2 million copies in Korea since its publication in 2000. It has already been adapted as a television drama and a stage play in that country. On February 4, Shogakukan is publishing the book in Japan under the title “Good Life.” Sorimachi plays the part of Daichi Sawamoto, a newspaper reporter who has always prioritized his work over his family. When his wife suddenly leaves him, he finally notices the love he has been receiving from his son. Just as he decides to answer back, it is discovered that his son has leukemia.

The down-and-out detective Kanzo Dojima (Sanma Akashiya) is thinking about hanging up his job. A mysterious man named Ryo Katase (Takuya Kimura). No one seems to know what's going on in the heart of this lonely guy, what he believes in, what he really loves. Then these two men meet by chance one day. The story takes an unexpected turn of events concerning a murder case. Maybe the two of them should never have met. And then there's Kanzo's sister Yuko (Eri Fukatsu). What will the relationship between her and Ryo be like?