Marina Vlady

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Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

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Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

In 1914, sixteen year old Roger returned home from boarding school during vacation to find his puberty hit hard in a house filled with beautiful women. These women have previous engagements with other men who are away, and during this time, Roger impregnates them all, including his aunt and sister, then devises plans to cuckold the men.

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A talk show presented by Michel Drucker

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Lord and Lady Glenarvan found a bottle in the ocean. This bottle contained a letter from Captain Grant that he and two of his sailors had survived a disaster at sea and need help. Unfortunately, the letter was damaged by water, and the latitude is known (37 degrees), but not the longitude. The Glenarvans decide to find Captain Grant.

France, 1915. Young and radiantly beautiful Centaine de Thiry is the happiest woman in the world: in a few more hours she will be married to pilot Michael Courteney, the love of her life. But fate has it otherwise: Michael is shot down in a reconnaissance plane shortly before his wedding. Life has lost its meaning for Centaine. When the young woman realizes soon afterwards that she is expecting a baby, her zest for live is revived. She decides to give birth to the child in South Africa, the home country of her deceased fiancé.

An African physician returns home after studying medicine in Paris. He marries and settles down to life in the bucolic splendor of his native land. When he has a confrontation with a white plantation owner, the white man sees red and casts a spell on the African doctor. Although he realizes the curse is an ancient tribal superstition, he still is plagued by the ghost of his late first wife. The black doctor and the white man are assimilated into cultures in which neither of them were born in this vexing jungle tale.

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.