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Edmond Richard

Edmond Richard

Camera

Known For

That Obscure Object of Desire
7.5

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

That Obscure Object of Desire

1977
The Discreet Charm of the Bourgeoisie
7.5

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

The Discreet Charm of the Bourgeoisie

1972
The Trial
7.4

Arrested for an unnamed crime, Josef K. is trapped in a surreal bureaucratic maze where justice is unknowable and guilt is assumed.

The Trial

1962
The Phantom of Liberty
7.5

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

The Phantom of Liberty

1974
The Cabbage Soup
6.4

Two buddy farmers are visited by aliens who like their domestic cabbage soup.

The Cabbage Soup

1981
Chimes at Midnight
7.2

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

Chimes at Midnight

1965
Le avventure e gli amori di Miguel Cervantes
7.7

This epic Spanish biopic chronicles the life of Cervantes, Spain's great novelist, playwright and poet, during the 16th-century, when as a young man he goes to Italy to become a soldier for the Pope. Later he helps the Pope's emissary wage war against the Spanish Moors. His exploits win him great favor. He falls in love with a famous Italian courtesan and she with him. Unfortunately, the Pope splits them apart with his newest decree which demands that all prostitutes leave the city. Upset, Cervantes goes to fight in the famed sea battle of Lepanto and comes back a hero. Later he is captured by Barbary pirates and ransomed by Trinitarian friars.

Le avventure e gli amori di Miguel Cervantes

1967
Sex-Power
4.9

A young Frenchman arrives in Northern California looking to forget a lost love and ends up encountering various forms of feminine power.

Sex-Power

1970
The Miser
6.3

The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven’t spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. Based on Molière’s play.

The Miser

1980
Les Misérables
7.0

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Les Misérables

1982
Manon 70
5.4

Manon is an amoral, free spirit who uses sex to surround herself in relatively luxurious surroundings.

Manon 70

1968
No image
N/A

Robert Benayoun’s reverence for the uncrowned king of slapstick and unfettered silliness has maybe something to do with his own affinity to surrealism, which he joined in the forties and encouraged him to deal with the great masters of the absurd comedy like the Marx Brothers and Buster Keaton. In six episodes Benayoun, who worked for many years as a film critic in Paris, immerses himself in the various aspects of the personality and comedian. He was allowed to use the inexhaustible supply of unused or private films, since Lewis was known for not throwing away one inch of celluloid and hoarding it in his basement. In addition to the interviews, in which renowned colleagues of Mel Brooks from Scorsese to John Landis and Lewis himself speak, there are especially these rare and sometimes startling images, that give a new sharper view on Lewis as a filmmaker and as a person.

Bonjour Mr Lewis

1983
And Hope to Die
6.4

A crook on the run hooks up with a criminal gang to commit a kidnapping. However, things don't go quite as planned.

And Hope to Die

1972
Kill!
6.1

Interpol investigates the freelance killings of drug and porn peddlers.

Kill!

1971
Don Quixote
6.2

A posthumous 1992 reconstruction of Orson Welles’s long-unfinished Don Quixote project, edited by Jesús Franco from footage shot between 1957 and 1972, following Don Quixote and Sancho Panza as they wander modern Spain in pursuit of chivalric ideals. (Note: This version represents a later editorial assembly, not a film completed by Welles.)

Don Quixote

1992
Litan
5.9

Married couple Jock & Nora are visiting the town of Litan during Litan's Day, with its carnivalesque atmosphere. When Nora wakes that morning from dreaming the bizarre death of her husband, she sets out across town to find him and warn him. But as she does, she encounters stranger and stranger people and events erupting into a frenzy in front of her. Now, she and Jock must elude all of the impediments in their way of reaching safety on the outskirts of town.

Litan

1982
Ankle Bone
4.9

While escaping from prison to be with her lesbian friend, a 19-year-old girl breaks her ankle and is picked up by an ex-con, with whom she begins a passionate affair. She finally turns to prostitution and robbery to support herself.

Ankle Bone

1968
Bonsoir
4.1

Having first lost his wife then his job as a tweed tailor, Alex Ponttin has devised a novel way to keep himself in touch with society. He admits himself into people's homes, by pretending to be a relative or an official, and persuading his victims to give him a night's free board: He finds at first a lunch at the horrible couple Dumont, where a thief follows him for a robbery. Alex spent an evening in front of TV at Marie, mother of seven children. He runs from Marie to find an evening and a new bed at the home of charming but shy lesbian Caroline and her funny lover Gloria. To save her inheritance, Caroline - accused for her homosexuality by her horrible sister Catherine - tells her aunt Amélie, that Gloria is her secretary and Alex her lover. So Alex has to present himself nude in Caroline's bed. He saves Carolines inheritance. The police officers investigating the case are so terminally stupid that Alex has little chance of being arrested.

Bonsoir

1994
Mother
7.9

Henri Verneuil was born Achod Malakian of Armenian parentage on October 15, 1920, in Rodosto, Turkey, and his family fled to France and settled in Marseilles when he was a young child. He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into this 1991 film with the same name.

Mother

1991
588 rue Paradis
7.3

A successful playwright reflects on his journey from his Armenian roots to adapting in France, forty years after his family's move to Marseilles. He now goes by a new name to fit in better with French society.

588 rue Paradis

1992