Production
The 27-year-old sculptor Constantin Brancusi walked from Bucharest to Paris in 1903 and 1904 as a preparation and prelude to becoming the most important sculptor of the twentieth century.
Three young women at home, the eye of the camera doesn't leave them for a moment and shows them first in a narrow kitchen, then in a small bathroom in front of a mirror, then in a bare living room where they spend part of the evening. The three are the mistress of the house and her servants, and the film is based on Les Bonnes by Genet. The servants pretend to unite to varying degrees against their mistress, and she, in turn, pretends to be a mistress who doesn't give explicit orders but who makes herself admired anyway. Each one of them plays the part that is most congenial to her.
According to an urban legend spreading in Japan, if you call an American number at midnight from your cell phone, you'll have a wish granted in exchange for a few minutes of your life. Some female students, stressed by poor school results and a barely functioning personal life, decide to dial the number, and from that moment on, everything changes. They'll realize they've sold their souls to the devil when a series of strange accidents and violent deaths begin to occur.
Vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, featuring talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, actors, and many others.
No description available.
The downfall of a powerful Mafia family by the hands of its young scion. Based on Aeschylus' tragedy, the Oresteia.
The young Carabiniere Gatta is sent to barracks in the Naples area. It's 1946 and the war is still hanging in the air even if the small community doesn't seem to have been affected that much by it. Even so, certain suspicions take root in the brigadier's mind. The hotel in the town was the setting for unexplained deaths and crimes that had been covered up. Gatta decides to investigate. Fragments begin to emerge, killers and their victims take shape and speak to each other from different times. There's the hotel owner, a grief-striken mother, a weak son and long-suffering sister, an orphan and two woman who were violently killed. Pain, indifference and shame cast a shadow over everything.
Angelo gets handcuffed to the bed by Alba who won't let him go. A womanizer rediscovers fear, doubts and desire.
Five untitled episodes: a businessman visits prostitutes before returning to his wife; an extra falls asleep at the cinema; a farmhand faces an Eastern European bully; a woman foresees the death of her lover; a small-time criminal feels the eyes of the mafia on him.
Three young Russian friends amuse themselves in a small seaside town with a series of minor adventures, some of which involve a new suit.
Three chapters. Three generations. Giggino always running around, restaurant poet, small street thief. 50 years old. His father Antonio, a pensioner from Italsider and nostalgic of the old factory days and what represented. Expert and promulgator of Maradona’s deeds. 80 years old, maybe more. Finally, Marco, a deli shop boy, chasing a future but not knowing how. 18 years old. Around them a jungle of a very populated neighborhood, Bagnoli, in a great city, Naples. Where purpose was lost and a new one was not yet found.
A collective cinematic project to promote tolerance and the value of diversity.
Nowadays, four Italian young adults longing to change their lives, yet stuck upon the shelf: Valerio and Kookie, dreaming of their big break, yet still not being independent; Giovanna and Serena, pretending to be adult, yet never having dared to live. Then, the encounter with Mei Mei, a young Chinese prostitute, shines a light on the truth: the gain of one’s freedom is, above all, an inside job.
In Palermo, in July '92, a bomb in Via d'Amelio kills Paolo Borsellino and five others, just 57 days after Falcone's death. The mafia massacre begins a judicial process that reveals the weaknesses of the State.
From Moscow to Mexico City, Eisenstein was privileged enough to met the cultural heroes of the era and embrace them as compatriots, with a handshake. Such was his reputation as the wunderkind of the new art of cinema, everybody wanted to meet him; there were writers, painters, critics, theorists and philosophers, as well as composers, architects, and artists from all branches of the cultural life that was shaping minds and civilizations. Our project would follow Eisenstein's journey and note the significant characters he encountered on his travels, with a focus on Switzerland.
