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Dimitris Imellos

Dimitris Imellos

Acting

Biography

Dimitris Imellos (Athens, 12 June 1967 - 16 December 2024) was a Greek television, theatre and film actor. He participated in theatrical performances: Iphigenia in the Land of the Bulls, Oedipus at Colonus, A Magnificent Cuckold, Persians, Antigone, Frenapati, Nostalgos, Love's Barren Struggle, What Never Ends, Medea, Molière, Oneiro, Tartuffe, The Idiot, At the Bottom, The Last Today, Erotokritos, Amphitryon etc. In cinema, he played in the films: Aliossa by Thanasis Skroumbelos (1999), Beautiful People by Nikos Panagiotopoulos (2001), Para ligo, para ponto, para trikha by Stella Theodoraki (2002), Delivery by Nikos Panagiotopoulos (2004), Sweet Memory by Kyriakos Katzourakis (2005), Bank Bang by Argyris Papadimitropoulos (2008), Ap' ta kokala vgalmena by Sotiris Goritsas (2011), Chronia pollaka by Christos Georgiou (2017), I tsipira tis by Nikos Labôt (2018), Tailor by Sonia Lisa Kentetman (2020), and Fonissa by Eva Nathena (2023). On television, he appeared in the Alpha series To 10 (2007–2008), directed by Pigi Dimitrakopoulou, as well as in the series Karyotakis, My Name Is Vangelis, You Don't Kill Me, Apology, Life in the Grave, Sasmos, and Agios Paisios, from Farasa to Heaven.

Known For

Welcome to 'All Saints
6.3

The trainee Orthopedic Doctor George Spyrou began his career in the fictional General Orthopedic Hospital "All Saints', somewhere on the outskirts of Athens. There you will discover that the hospital population, by physicians, administrators and nurses, to patients, they are all forced to confront dancing a grotesque dance routine. With humor and humanity within a social landscape so angry George Spyratos trying to balance between the warring parties these microcosms. The gradual evolution from inexperienced trainee to experienced editor will be done through the encounter with the absurd environment. Something that would transform from naive young man who initially stands speechless in front of modern Greek chaos, a mature man who will ultimately make a thoughtful account of choice, but persevere, continue to work on public health.

Welcome to 'All Saints

2011Movie
Fonissa
6.4

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Fonissa

2023Movie