Vyacheslav Leykin

A story of a Moscow's apartment building that is slowly falling apart, literally. First, the hot water has been cut off by an old man from Asia, who could not stand it being wasted. Then the roof is starting to collapse. Finally, the electricity has been cut off. All the tenants of the building, no matter how different they were, find themselves in the same situation.

Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?

A young businessman believes that money and fortune are the most important things in the world. One day he loses all his money and faces the necessity to reconsider and change his life.

The young man decides to go into business. The main advantage of "novice businessman" is a great ability to mimic other people's voices.

A small provincial town is home to two rival teenage gangs, one devoted to loose living and punk music and the other a collection of narrow-minded bodybuilders obsessed with order and convinced of their own moral rectitude. However, this cosy state of affairs is upset by the arrival of two strangers dressed like Pushkin, the famous early 19th century Russian poet, who proceed to found their own organisation, dedicated ostensibly to the memory of the great writer and the "salvation of Russia". Gradually, they begin to assume control of the town...

A group of Swedish tourists are on the way to a Russian village to witness the so called 'Festivity of Neptunus', in which the inhabitants take a dive in a hole in the ice. This tradition, however, does not exist at all. The inhabitants try to make a good impression by starting the 'tradition' to please the tourists.

Boris Petrovich, a modest employee of the registry office, selflessly and creatively in love with his work. All his life he wishes his fellow countrymen health, happiness, good luck on days of celebrations, comforts them in days of sorrow, but remains a kind eccentric for everyone, giving many reasons for jokes and bullying. But three times in a row his evil wishes come true, accidentally dropped from his lips, and Boris Petrovich begins to be feared and respected.

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.